Merchant of Venice Workbook Answers Act 1 – Important Notes

Merchant of Venice Workbook Answers Act 1 – Important Notes – ICSE Class 10 & 9 English

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Word Meaning With Annotation

Act I Scene I

In sooth : truly. It wearies me : the sadness of which Antonio is complaining, it seems, is in born caught : Antonio speaks of his melancholy as if it had been “caught”, acquired like an infectious disease, came by : acquired, whereof : “of what parents;” “of what origin”, want-wit : a dull person, a stupid fellow, ado : difficulty, trouble, argosies : this word was chiefly used of large and important merchant ships, portly : literally “of good part, “ or of a carriage which suggest importance. The word HERE suggests stoutness or fatness, signiors : gentle me.

pageant : exhibition of any kind which appeals to the eye. Antonio’s ships are said to present such a spectacle, overpeer : literally “peer over,” or “look over the top of.” petty traffickers : unimportant trading ships, curt’sy : the manner in which the small and light ships pitch up and down on the waves while the larger ship, because of its greater weight, sweeps along steadily, woven wings : the sails of the ships are woven of canvas, and carry them along just like the wings of birds, venture : a trading expedition, in which money has been risked, forth : out on the sea.

plucking the grass : pluck a blade of grass, and hold it up in order to see from its movement the direction in which the wind is blowing, roads : a sheltered piece of water : where a ship can lie safe from storms, broth : a thick kind of soup, ague : fever which is accompanied by fits of shivering, sandy hour-glass : an apparatus consistsing of two glass bulbs or balls. The sight of the sand within the glass will bring on the thought of dangers from hidden bands of sand at sea, on which ships may run aground, shallows and of flats : a plateau of the sea bottom which rises up near the surface are both dreaded by mariners, my wealthy Andrew : a name applied to any big merchant ship, dock’d in sand : resting on a sand bank, if in dock.

Vailing her high-top lower than her ribs : the high top is the top of the mast; the ribs are the sides of the ships. If a ship is aground and has rolled quite over, then the top of the mast may be lower than the sides, vailing : lowering, to kiss her burial : to kiss the sands in which she is buried, which touching but : which, if they only touch etc. spices : aromatic substances and perfumes such as cinammon, musk, etc. stream : sea. Enrobe : cover; clothe, in a word : briefly. Shall I have the thought : shall my imagination make me think that such an unfortunate happening would make me sad. bechanced : having happened.

Fortune : ‘Luck’ and ‘Wealth’, ventures : business, bottom : ship, my ventures are not in one bottom trusted, nor to one place; nor is my whole estate, upon the fortune of this present year : nor is my financial position dependent on the business ventures of this year. Fie, fie : shame, not in love neither : The old English custom was to double a negative for emphasis, and there was no thought of two negatives cancelling each other out. Janus : He was the Roman God. He is always depicted with two heads, looking in opposite directions. He is mentioned here simply with the idea that Nature creates two different types of men, with different outlooks, peep through their eyes : the men here have such fat cheeks that their eyes are almost closed up, and they have difficulty in seeing through them.

laugh like parrots : indulge in shrill screams of laughter, bag piper : one who plays the bagpipe, vinegar aspect : this expression is used to describe a severe and gloomy expression of the countenance. Nestor : was a Greek warrior. He is mentioned here as symbolic of seriousness and gravity in general. Even he would laugh at a certain jest, but the people of “vinegar aspect” would refuse to join in. Prevented : “made it unnecessary.” worth : merit; value, laugh : the sense is “When shall we have a merry party together?” you grow exceeding strange : You are becoming strangers to me; I see you so seldom.

Respect upon the world : anxious thoughts concerning worldly affairs. They lose it that do buy it with much care : those who spend too much time worrying about worldly matters are never really happy, you are marvellously changed : not looking in his accustomed good health and spirits, and mine a sad one : Shadow of misfortune has fallen upon Antonio. But it may be that Shakespeare wishes to create a feeling of foreboding and destiny, on the principle that “Coming events cast their shadows before.” Play the fool : Gratiano says that if Antonio has chosen to play a tragic part, he himself will prefer to have a comic role.

And let my liver rather heat with wine : a liver enriched by wine would produce rich blood, and thus a lively personality, mortifying : “death-causing”, sit like his grandsire cut in alabaster : alabaster is a pure white stone used for making statues; hence this means simply “sit as still as a carved statue.” sleep when he wakes : appear sleepy in his waking hours, creep into the jaundice : It was believed then that jaundice was caused by mental worry, peevish : irritable; ill-tempered, there are a sort : ‘sort’ denotes a class containing a number, do cream and mantle like a standing pond : the figure is that of cream forming on the top of milk, or a green covering forming on the top of still waters in a pool. Certain men allow a grave look thus to form on their faces, do a wilful stillness entertain : and assume deliberately a pose of silence, with purpose : with the intention of.

Sir Oracle : an Oracle, in the old world, was the inspired utterance of a priest, a direct statement from God. It was received by all without question, let no dog bark : let not even the lowest dare to interrupt, therefore only : solely on that account. If they should speak, would almost damn those ears : these men earn a reputation for wisdom by saying nothing. But if they should speak, they would almost bring damnation or divine punishment on those who heard them, for those who listened could not help saying ‘Fools! melancholy bait : by using melancholy just as an angler uses a bait on his hook to catch a fish, gudgeon : is a worthless and stupid fish, very easily caught, exhortation : sermon; good advice.

More : many, for this gear : Antonio is supposed to say humorously, “Well, you have converted me: I shall be a talker instead of a silent man.” in a neat’s tongue dried and a maid not vendible : “In a dried ox tongue ready for the table, or in a woman who has missed the chance of making a marriage.” inflnte deal of nothing : a vast amount of nonsense, have them, they aren’t worth the search. Well; tell me now, what lady is the same to whom you swore a secret pilgrimage, that you to-day promis’d to tell me of : Antonio’s words introduce Portia and prepare us for her appearance in Scene II.

disabled mine estate : reduced my resources; strained my means, something : to some extent; somewhat, swelling port : an appearance of wealth and ostentation, than my faint continuance : that my scanty income can enable to continue or keep up. make moan to be abridged : grumble at having to be reduced (in my expenditure.) noble rate : noble style of living, to come fairly off : to come out honourable from, wherein my time, something too prodigal, Hath left me gaged : in which my life, which has been rather wasteful, has left me involved. I have a warranty : mean “an assurance” or “I have the privilege of’, unburthen all my plots and purposes : to unfold to you all my schemes and intentions, how to get clear : by means of which I hope to get clear, within the eye of honour : within honourable limits; within what men would regard as honourable, advised watch, careful observation, my person : my very body. Antonio only offers this in the exaggeration of speech, but the events of the drama make it come literally true., extremest : utmost resources, unlock’d to your occasions : open to your every need.

His fellow : Here it means “a similar arrow.” of the self-same flight : “with equal range.” to find the other forth : the word forth will give the simplest meaning if we take it as going along, childhood proof : illustration from childhood, because what follows is pure innocence : Bassanio’s meaning is that he produces an illustration from the innocent days of his childhood, like a wilful youth : as is usually the case with a reckless youth, self way : “the same way”, or to find both : the or here is used in the sense of “either”, circumstance : hints, uttermost : my extreme efforts,  may by me be done: is possible for me to do. prest Into it : drawn to your aid.

Fairer than that word : what is even better than the word “Fair,” fair speechless messages : silent glances which revealed her thoughts, nothing undervalued : in no way inferior to. Portia : Shakespeare wife, Portia, is a daughter of the famous Roman scholar and orator, Cato, four winds : North, South, East, and West, golden fleece : the reference is to a famous legend of ancient Greece. “Fleece” usually refers to the crop of wool from the back of a sheep or ram. many Jasons : many suitors came, just as Jason come of old. hold a rival place with : oppose them as a rival. I have a mind presages me such thrift : I have in my mind an instinct telling me that I shall be so fortunate as to be the lucky one. commodity : goods; merchandise, rack’d : strained; stretched to the utmost, to furnish thee to Belmont : to equip you suitably for your expedition to Belmont. I no question make : I have no doubt that I shall.

Act I Scene II

By my troth : A mild form of oath, surfeit : to be supplied with anything to excess, it is no mean happiness, therefore, to be seated in the mean:  Nerissa says, “It is no small happiness to be situated in a position mid-way between poverty and riches.” superfluity : the man who lives wastefully through excess of luxuries, comes sooner by : obtains more quickly, competency : the man who possesses just sufficient for a reasonably comfortable life, good sentences : fine opinions. Chapels had been churches : a chapel is a church, which accommodates a small number of worshippers. Portia says that if it were as easy to follow out the moral ideal as it is merely to know about it, then there would be so many worshippers that all the small chapels would have to be replaced by big churches.

It is a good divine : he is a good preacher. I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching : the general sense of the lines is that to obey instructions is twenty times more difficult than it is to give good instructions, brain : the reasoning powers; the mind, blood : passion; the desires of the body, such a hare is madness the youth, to skip o’er the meshes of good counsel the cripple : here madness typifies a reckless young man, while wisdom typifies an old man. The youth is as agile and active as a hare, while the old man is as feeble and slow as a lame man (cripple), in the fashion : of the proper type, would : would like; care for. nor refuse none : an example of Shakespeare’s double negative, which is used as being stronger than a single negative. We should expect “nor refuse one.”

Have good inspirations : receive divine guidance, the lottery that he hath devised : “lottery” signifies the winning of a prize by drawing numbers or chances at random. The belief in olden times was that such a method was not decided by chance, but was directed by divine guidance and intervention, princely suitors : It has been thought that there is a topical reference in the mention of the “princely suitors” for the hand of Portia. Over name : name them over; read over their names, level at : conjecture; arrive at.

appropriation to his own good parts : addition to his own merits, county Palatine : The count from Palatine, as who should say : just as if he were saying, an you will not have me, choose : Palatinate has an abrupt manner which infers, “If you do not want me, you can do whatever you like. I don’t care.” weeping philosopher : the old Greek philosopher, Heracleitos of Ephesus, who “wept at everything in the world.” death’s head with a bone in his mouth : the emblem of a skull with two bones crossed underneath was usually known as a “death’s head.” Portia speaks of a different type, of a grinning skull with a bone in its mouth, just as if it were smoking a pipe, monsieur Le Bon : The description which Portia gives of this character is a satire on the traditional, affected, vivacious Frenchman.

Throstle : name often applied to the common English bird, the thrush, falconbridge : the young English baron, is a good-humoured satire on the typical travelled Englishman of that time, pennyworth : very little knowledge, he is a proper man’s picture : he is certainly a man of fine appearance, dumb show : knowing no French, the young man had to converse by means of signs, his behaviour every where : he had acquired certain manners and customs from all the nations which he had visited.

The Scottish lord, his neighbour : King James I of Scotland had then ascended the throne of Great Britain, and it was thought advisable to change this lest it should give offence to the King, that he hath a neighbourly charity in him; for he borrowed a box of the ear of the Englishman, and swore he would pay him again when he was able: I think the Frenchman became his surety, and sealed under for another : there was great jealousy between Scotland and England at this period, owing to the long wars and numerous causes of quarrel between the two countries. In order to please his audience, Shakespeare makes the Scotsman and Frenchman both deficient in courage, submitting to a blow from the Englishman without having the spirit to return it.

The Frenchman became his surety : the Frenchman gave an assurance that the Scotsman would pay back the blow he had received, and sealed under for another : the language is such as would be used to describe the drawing up of an agreement between two countries. The actual document would contain the seal (in wax) of Scotland, while the French seal would also be placed under it. When he is best : he is at his best, on the worst fall that ever fell : even the worst stroke of fortune that may befall me, I hope, will not be so bad that I cannot manage to get rid of him. Rhenish wine : wine made from grapes grown in the Rhine valley, on the contrary casket : on the wrong casket: the one which is opposite to the right one.

if the devil be within and that temptation without, I know he will choose : for even if that casket contained the devil himself, he would risk opening it as long as there was such a strong temptation as a flask of wine outside, sponge : used to denote a drunkard, i.e., one who soaks up or absorbs liquor, some other sort : by some different method, your father’s imposition : the conditions imposed by your father. Sibylla : this refers to Deiphobe, the traditional old woman of the ancient Romans. Apollo promised her that she would live as many years as there were grains in a handful of sand which she carried, as chaste as Diana : the classical goddess Diana is always used as typical of chastity. She was the goddess of hunting, and also of the moon, parcel of wooers : crowd of suitors, dote on : long for.

marquis of Montferrat : this was the title of a high-born Italian nobleman, who would possibly be known by this name in England, yes, yes, it was Bassanio; as I think, so was he called : it will be observed that Portia’s interest is awakened at once by the mention of Bassanio. Her manner here should be compared with the attitude of satire and mockery with which she heard of the other suitors. Shakespeare shows her as already in love with Bassanio. the four strangers seek for you, madam, to take their leave : we have already been told of six suitors staying at Belmont, and it is strange that only four are mentioned here. The most probable explanation is that two of the six were added to the play at a later date, and this line was not altered to correspond with the change, forerunner : one who runs before to announce the coming of his master, the condition of a saint and the complexion of a devn : a saintly character combined with a black colour. The Elizabethans were accustomed rather to seeing negro people than Moors, and the black skin of the pure negro was by no means admired.

I had rather he should shrive me than wive me : I would rather have him as my priest, to administer spiritual comfort, than as a husband. Ducats : There were gold ducats and silver ducats at the time with which the play deals, bound : Antonio shall be legally responsible for the repayment. Antonio is a good man : “reliable in financial dealings.” Sufficient : satisfactory as security, his means are in supposition : his fortune may be supposed subject to the risks and failures of business, he hath an argosy bound to Tripolis : It matters little whether Shakespeare was thinking of Tripoli in North Africa, or Tripolis in Syria.

Indies : the West Indies near Central America. Rialto : this was the name of the business quarters of Venice, squandered : sent forth; scattered, the man is not with standing sufficient : nevertheless the man Antonio is satisfactory as security, yes, to smell pork; to eat of the habitation which your prophet, theNazarite, conjured the devil into! I will buy with you, sell with you, talk with you, walk with you, and so following; but I will not eat with you, drink with you, nor pray with you : there is a story in the Bible of Christ (the Nazarite) compelling certain evil spirits to come out of two men, whose bodies they had entered. Then the evil spirits asked Christ to allow them to enter into the bodies of a herd of swine, and He allowed them to do so. This is what Shylock refers to; by “habitation” he means the body of the swine. The Jews look upon pork as an unclean and prohibited food. We see in this speech the character of Shylock. He is proud of his race and his religion, and determined not to break any of his religious observances to please the hated Christian. Yet he has the shrewd commonsense of a businessman, and is willing to mix with Christians and do business with them, as long as there is profit to be made. He uses the title “prophet” for Christ, since the Jews do not recognise Him as the son of God.

Fawning publican : “fawning” usually means “servile” or “cringing” and there seems no reason why such a term should be applied to Antonio. It is Shylock’s bitter hatred which makes him look on Antonio’s mood of melancholy in this light. The term “publican” was used in the new Testament with very much the same significance as “a low caste man” or “an untouchable”, low simplicity : stupid ignorance, usance : profit derived from money lending. If I can catch him once upon the hip : To have a man “on the hip,” meant to have secured such a hold on him that he could easily be thrown to the ground. I will feed fat the ancient grudge I bear him : I will gratify fully the old grievance I have against him. He hates our sacred nation, and he rails, Even there where merchants most do congregate, On me, my bargains, and my well-won thrift,Which he calls interest : In the time of Shakespeare, the modem system of banks was far from appealing. The lending of money was in the hands of private individuals,and there was no restriction on the rate of interest which they could charge. The Jews were foremost in amassing wealth by this means, and they had the reputation of being grasping and merciless creditors, rails : give abuse. Well- won thrift : well-deserved profits. I am debating of : I am calculating, gross : the complete sum.

a wealthy Hebrew of my tribe : the Jews were divided into twelve tribes, descended from the twelve children of Israel, your worship : “Your honour.” Albeit : although, by taking, nor by giving of excess : by taking from my debtors anything in excess of the sum I have lent to them, nor by giving any such sum to my creditors, ripe : immediate, immediate attention, so Bassanio’s needs require an immediate loan. I’ll break a custom : I shall depart from my custom, and give you interest on this loan, is he yet possess’d, how much you would : Is he aware yet of the amount you want? upon advantage : with the usual interest, grazed : ‘Led out to pasture’, the third possessor : the third heir to the family estates. Were compromised : had agreed, eanlings : newly-born lambs.

Streak’d : striped, this was a venture, sir, that Jacob serv’d for : the Biblical story was that Jacob had entered Laban’s service first in order to gain a wife, and then in order to gain a flock. But Antonio retorts that Jacob earned this reward by service, and not by merely’ allowing his money to gain interest. In addition, Antonio casts doubt on the old Biblical story and says that Jacob could not possibly have influenced the birth of the lambs in this manner, was this inserted to make interest good : Was this ‘ episode introduced into the Bible in order to justify the taking of interest? Antonio asks this rather sharply, because he thinks that Shylock’s argument has nothing to do with the taking of interest at all, and resents that the Jew should try to justify his money-lending by Biblical quotations, the devil can cite Scripture for his purpose : this has become a well-known quotation in the English language. It arises, in the first place, from another incident described in the Bible, where the devil tempts Christ, and supports his temptations by craftily used quotations and allusions from the Divine law.

a goodly apple : an apple which has an outward appearance of goodness, goodly outside : a fair outward appearance.Beholding : obliged, indebted, rated : blamed, gaberdine : a peculiar type of robe worn by the Jews. For Antonio to spit upon it would be a direct insult to Jewish nationality, for use of that : for using my own money as I choose, void your rheum : spot, cast your saliva, moneys is your suit : now your request is for money! bondsman’s key : “a voice like a slave.”

key : tone, bated breath : quiet breath. I am as like to call thee so again : “It is quite likely that I shall do so again,” Antonio is quite frank about his treatment of Shylock; he admits it, and offers no regrets. His attitude seems to be that it is a natural thing, and just what a Jew might expect, for when did friendship take A breed for barren metal of his friend : the word “breed” is probably used because the illustration of Jacob and his lambs is still fresh in the mind of Antonio. He means “profit” i.e., interest produced by lent money, just as lambs are produced by sheep, but lend it rather to thine enemy : But rather consider me as an enemy when lending it. If he break : If he break the conditions agreed upon; if he fail to repay, with better face : with a better appearance of justice; with no shame in doing so.

would be : would like to be. and take no doit of usance : “and accept not one pie of interest.” this is kind I offer : “A man likes the company of his own kind” Shylock means, “This is your own system of loan which I offer, without any interest.” But there may be a double meaning intended, for “to pay a man in kind” means to return similar treatment to him. this were kindness : Antonio, of course, sees no double meaning in Shylock’s words, and replies, “That would indeed be kindness on your part.” Notary : a solicitor; a legal officer, single bond : a bond undertaken by one man, i.e., it was signed by Antonio alone, nominated : agreed upon, equal pound : exactly a pound. I’ll seal to such a bond : ‘I will place my name to this agreement.’

I’ll rather dwell in my necessity : “I would rather remain in my present state of need.” within these two months : in two months from this date, father Abraham : Shylock swears by his great Jewish ancestor, break his day : break his promise to pay on a certain day. muttons : beefs, these words, refer only to the flesh of animals, were originally French, and meant “sheep” and “oxen.” purse the ducats straight : at once make ready the ducats in a purse for you. the fearful guard : “left in the unsafe care.” Launcelot is such a careless fellow that it causes Shylock fear that he could not be the guardian of the house even for the time being.

Hie thee, gentle Jew : “Go, kind Jew.” It will be noticed that Antonio uses the word “gentle.” He has been completely deceived by the superior craft of Shylock, and thinks that all his professions of friendship are genuine. I like not fair terms and a villain’s mind : “I am suspicious when fair conditions are offered by a man whom I know to be a villain.” Bassanio is more quick-witted and alert than Antonio, and his suspicions of Shylock are not so easily lulled to sleep, dismay : “ground for fear.”

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Merchant of Venice Workbook Answers Act 5 – Unsolved Comperhension Passages

Merchant of Venice Workbook Answers Act 5 – Unsolved Comperhension Passages – ICSE Class 10 & 9 English

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Act V, Sc.I

Passage – 1

Merchant of Venice Workbook Answers Act 5 - Unsolved Comperhension Passages 1

Merchant of Venice Workbook Answers Act 5 - Unsolved Comperhension Passages 2

Read the above extract and answer the questions that follow.

Q.1 Who came to the place first and with what news?
Q.2 Who came after and with what news?
Q.3 Which aspect of nature pleases him? Describe the night?
Q.4 Give the meaning of: inlaid, patens, orb, behold’st, quiring and cherubins.
Q.5 Explain the above passage?

Passage – 2

Merchant of Venice Workbook Answers Act 5 - Unsolved Comperhension Passages 3

Read the above extract and answer the questions that follow.

Q.1 Why are the newly married couple quarrelling?
Q.2 What are Nerissa’s grievances?
Q.3 How does Portia accuse and scold Gratiano?
Q.4 How does Bassanio feel right now?
Q.5 How does Portia, mockingly, express her faith in her husband?

Passage – 3

Merchant of Venice Workbook Answers Act 5 - Unsolved Comperhension Passages 4

Merchant of Venice Workbook Answers Act 5 - Unsolved Comperhension Passages 5

Read the above extract and answer the questions that follow.

Q.1 What are Bassanio’s emotions now?
Q.2 What is the undercurrent behind all this?
Q.3 How does Portia reply Bassanio?
Q.4 How does Bassanio try to pacify Portia?
Q.5 How is the whole thing resolved?

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Merchant of Venice Workbook Answers Act 4 – Unsolved Comperhension Passages

Merchant of Venice Workbook Answers Act 4 – Unsolved Comperhension Passages – ICSE Class 10 & 9 English

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Act IV, Sc.I

Passage – 1

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 1

Read the above extract and answer the questions that follow.

Q.1 Who is a ‘stony adversary’?
Q.2 Write the meaning of ‘inhuman wretch’, ‘void’ and ‘dram’?
Q.3 What made the person a ‘story adversary’? Explain?
Q.4 When does this ‘inhuman wretch’ enter the place and how does the Duke plead with him?
Q.5 Why is the Duke sorry for the condemned man?

Passage – 2

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 2

Read the above extract and answer the questions that follow.

Q.1 Explain the argument in simple English?
Q.2 How does Antonio feel now?
Q.3 What does Shylock answer when Bassanio offers him three thousand ducats?
Q.4 Why does Shylock hate Antonio so much? Explain?
Q.5 Give another side of Shylock’s character that makes him a normal human being?

Passage – 3

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 3

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 4

Read the above extract and answer the questions that follow.

Q.1 Why must the Jew be merciful?
Q.2 Explain the lines on mercy in the extract?
Q.3 How is mercy ‘twice bless’d’?
Q.4 Whom does mercy suit the best?
Q.5 What do we pray for and what does that prayer teach us?

Passage – 4

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 5

Read the above extract and answer the questions that follow.

Q.1 What hold does the law have on the “Jew?
Q.2 What other ‘holds’ has Portia already revealed to the Jew?
Q.3 Why does Portia ask Shylock to beg, to whom and for what?
Q.4 Give two examples of kindness shown by the Duke?
Q.5 What mercy does Antonio render him?

Passage – 5

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 6

Read the above extract and answer the questions that follow.

Q.1 What makes the Duke say‘I am sorry’?
Q.2 How does Antonio’s efforts at gratification bear fruit?
Q.3 Why does Portia at first refuse to take anything?
Q.4 How does Bassanio go on with his persuasion?
Q.5 How does this episode get resolved amicably?

Act IV, Sc.II

Passage – 1

Merchant of Venice Workbook Answers Act 4 - Unsolved Comperhension Passages 7

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 Who is with them?
Q.3 Why is that person here? What has he brought?
Q.4 Where were Portia and Nerissa going now? For what?
Q.5 What purpose does this scene serve?

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Merchant of Venice Workbook Answers Act 3 – Unsolved Comperhension Passages

Merchant of Venice Workbook Answers Act 3 – Unsolved Comperhension Passages – ICSE Class 10 & 9 English

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Act III, Sc.I

Passage – 1

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 1

Read the above extract and answer the questions that follow.

Q.1 Give the background to this conversation?
Q.2 Why does Shylock blame the two and for what?
Q.3 Explain Salarino’s remarks in the extract?
Q.4 What have the two been discussing before Shylock’s arrival?
Q.5 Where are they now?

Act III, Sc.II

Passage – 1

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 2

Read the above extract and answer the questions that follow.

Q.1 To whom is Portia talking to and where?
Q.2 Who else are there?
Q.3 What had Portia said at the beginning of this passage and why?
Q.4 Why can she not express her love clearly?
Q.5 Write the meanings of: ‘forsworn’ and ‘miss’.

Passage – 2

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 3

Read the above extract and answer the questions that follow.

Q.1 Explain. What is the significance of music here?
Q.2 Give explanation of the extract?
Q.3 What will the music be if Bassanio wins?
Q.4 What is Portia’s state of mind now?
Q.5 How does she describe Bassanio as he goes to make his choice?

Passage – 3

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 4

Read the above extract and answer the questions that follow.

Q.1 To whom does Bassanio compare himself with and how?
Q.2 What does Bassanio call the artist? Why?.
Q.3 Who or what does wrong to whom? How?
Q.4 Write the meanings of ‘confirm’d’, ‘sign’d’ and ‘ratified’.
Q.5 How had Portia felt after her father had made the will?

Passage – 4

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 5

Read the above extract and answer the questions that follow.

Q.1 What does Portia want to clarify from Nerissa?
Q.2 Who is Nerissa?
Q.3 How has Gratiano secured a wife and on what condition?
Q.4 How does Gratiano compare himself to Bassanio?
Q.5 In what capacity has Gratiano come to Belmont?

Passage – 5

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 6

Read the above extract and answer the questions that follow.

Q.1 What is Portia told about Antonio?
Q.2 Name the place where Antonio’s ships had gone?
Q.3 Who had given the news of Antonio’s misfortune?
Q.4 How had Shylock behaved on hearing this news?
Q.5 Which two things does she tell Bassanio to do at once?

Act III, Sc.III

Passage – 1

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 7

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 Who else is with them?
Q.3 Who has just left?
Q.4 Who seeks Antonio’s life and why? Write in detail?
Q.5 Why is the Duke unable to help Antonio?

Act III, Sc.IV

Passage – 1

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 8

Read the above extract and answer the questions that follow.

Q.1 Where is Portia?
Q.2 Who else are there?
Q.3 What was said to her that she speaks like, this?
Q.4 What good things has she done now?
Q.5 How does she describe the likeness between her husband and his bosom friend?

Act III, Sc.V

Passage – 1

Merchant of Venice Workbook Answers Act 3 - Unsolved Comperhension Passages 9

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 How and why have they come here?
Q.3 How will Jessica be saved?
Q.4 How is that alternative not liked by Launcelot?
Q.5 What is his reason for having a grudge against Jews?

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Merchant of Venice Workbook Answers Act 2 – Unsolved Comperhension Passages

Merchant of Venice Workbook Answers Act 2 – Unsolved Comperhension Passages – ICSE Class 10 & 9 English

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Act II, Sc.I

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 1

Read the above extract and answer the questions that follow.

Q.1 Why does the speaker thank Portia?
Q.2 Where are they going now?
Q.3 When will the hazards be made?
Q.4 What are your views about the Prince of Morocco and why?
Q.5 The speaker has earlier too thanked Portia. What was the reason then?

Act II, Sc.II

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 2

Read the above extract and answer the questions that follow.

Q.1 Who is Launcelot?
Q.2 How does the ‘fiend’ tempt him?
Q.3 Who is opposing the ‘fiend’ and how?
Q.4 What does Launcelot tell both of them?
Q.5 Why does Launcelot want to leave his old master?

Passage – 2

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 3

Read the above extract and answer the questions that follow.

Q.1 How does Launcelot reveal his real identity to Gobbo?
Q.2 How is Gobbo ultimately convinced?
Q.3 Which animal is mentioned here?
Q.4 What jocular remark does Launcelot make now?
Q.5 What decision has Launcelot made? Why?

Passage – 3

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 4

Read the above extract and answer the questions that follow.

Q.1 How did Bassanio behave with Gobbo at first?
Q.2 Which are the three examples that are wrongly used here?
Q.3 What do ‘cater-cousins’, ‘fruitify’ and ‘suit’ mean?
Q.4 Why is Bassanio irritated now?
Q.5 Which old proverb does Launcelot mention here?

Passage – 4

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 5

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 Who has just gone out and with what orders?
Q.3 What does Bassanio tell Gratiano after ‘ But hear thee, Gratiano?
Q.4 How does Gratiano satisfy Bassanio?
Q.5 What about ‘tonight’? How would Gratiano like to behave about which Bassanio also approves?

Act II, Sc.III

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 6

Read the above extract and answer the questions that follow.

Q.1 Where is Launcelot?
Q.2 To whom is Launcelot speaking?
Q.3 Why is the ‘most sweet Jew’ sorry to see him leave?
Q.4 Why is the person spoken to ‘asham’d’?
Q.5 Who did the person spoken to address Launcelot? On what note does the scene end?

Act II, Sc.IV

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 7

Read the above extract and answer the questions that follow.

Q.1 How does Jessica feel at her father’s house?
Q.2 Why does she feel sorry there?
Q.3 What opinion can be formed about Shylock?
Q.4 What has Jessica written in the letter?
Q.5 What does Lorenzo wish for Shylock?

Act II, Sc.V

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 8

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 With whom is Shylock talking?
Q.3 What difference between Shylock and Bassanio is he hinting at?
Q.4 What does ‘gormandize’ mean?
Q.5 Why is Shylock calling Jessica? What does he give her and why?

Passage – 2

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 9

Read the above extract and answer the questions that follow.

Q.1 What are masques?
Q.2 Who are going to play them?
Q.3 What is an essential element in a masque?
Q.4 What advice does Shylock give Jessica? Give five examples?
Q.5 What does Launcelot whisper to Jessica before leaving?

Act II, Sc. VI

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 10

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 How are they dressed?
Q.3 For whom are they waiting?
Q.4 Who is Venus?
Q.5 What is correct — pigeons/doves?

Passage – 2

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 11

Read the above extract and answer the* questions that follow.

Q.1 What are Jessica’s feelings now?
Q.2 What do ‘make fast’, ‘gild myself’ and ‘straight’ mean?
Q.3 What has Jessica been advised by her father?
Q.4 Where is her father now?
Q.5 Why has he gone there?

Act II, Sc. VII

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 12

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 What had Portia commented when Morocco had arrived?
Q.3 How does Morocco describe the silver casket?
Q.4 Why was he tempted to choose the silver one?
Q.5 Write the inscriptions exactly as they are engraved on the caskets?

Act II, Sc. VIII

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 13

Q.1 Who is the ‘kinder gentleman’?
Q.2 Why are they going to him?
Q.3 What has Salarino heard and from whom?
Q.4 Who does it change their mood?
Q.5 What role do these two characters play?

Act II, Sc.IX

Passage – 1

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 14

Read the above extract and answer the questions that follow.

Q.1 Assess the prince’s character?
Q.2 Why does prince call the silver casket, a treasure-house?
Q.3 What does ‘title’ mean?
Q.4 What ‘title’ does he read?
Q.5 How can the situation be reversed, according to him?

Passage – 2

Merchant of Venice Workbook Answers Act 2 - Unsolved Comperhension Passages 15

Read the above extract and answer the questions that follow.

Q.1 Explain Portia’s line in the extract?
Q.2 What does the ‘schedule’ say?
Q.3 With what comments does he leave?
Q.4 Why had he paused for a long time after opening the casket?
Q.5 How do you feel at Arragon’s comment in the extract?

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Merchant of Venice Workbook Answers Act 1 – Unsolved Comperhension Passages

Merchant of Venice Workbook Answers Act 1 – Unsolved Comperhension Passages – ICSE Class 10 & 9 English

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Act I, Sc.I

Passage – 1

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 1

Read the above extract and answer the questions that follow.

Q.1 To whom is Solanio speaking? Who else is there?
Q.2 Explain the second and third lines of the extract.
Q.3 What is meant by ‘venture’?
Q.4 In what context the meanings of ‘argosies’, ‘burghers’, ‘signiors’ and ‘traffickers’ have been used?
Q.5 Why is Solanio giving all these reasons?

Passage – 2

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 2

Read the above extract and answer the questfons that follow.

Q.1 How does Salarino refer to one of ‘worthier friends’?
Q.2 Whom does Salarino want to feel merry and why?
Q.3 How has Salarino been trying to cheer his friend up?
Q.4 Where do the others promise to meet?
Q.5 Whom the ‘worthier friends’ leave behind?

Passage – 3

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 3

Read the above extract and answer the questions that follow.

Q.1 Where are the speakers?
Q.2 Who else had already made their appearances?
Q.3 What is Bassanio’s financial and emotional condition?
Q.4 Who has caused above condition?
Q.5 What had Bassanio to comment on that person?

Passage – 4

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 4

Read the above extract and answer the questions that follow.

Q.1 Name the lady and her maid-in-waiting?
Q.2 Which three qualities of her’s are described here?
Q.3 With whom is the lady compared and how?
Q.4 What does Bassanio want from Antonio and why?
Q.5 With whom is the lady compared and how?

Act I, Sc.II

Passage – 1

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 5

Read the above extract and answer the questions that follow.

Q.1 What change in Portia’s mood can be found here?
Q.2 What do ‘over – name’ and ‘level’ mean here?
Q.3 How far is Nerissa responsible in changing Portia’s mood?
Q.4 Who is the second one to be described and how?
Q.5 How does Portia describe the gentleman mentioned in the extract?

Passage – 2

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 6

Read the above extract and answer the questions that follow.

Q.1 Who is‘he’?
Q.2 How does Portia feel towards him?
Q.3 What do Nerissa’s words imply?
Q.4 What are the difficulties between Portia and the Englishman?
Q.5 What quality of Portia is revealed from all these descriptions?

Act I, Sc.III

Passage – 1

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 7

Read the above extract and answer the questions that follow.

Q.1 Why does Bassanio need three thousand ducats?
Q.2 Why can’t his rich friend Antonio supply him with the amount?
Q.3 What about the other problems of the merchant of Venice?
Q.4 Give the meanings of ‘debating’, ‘present store’ and ‘gross’?
Q.5 What does the extract imply?

Passage – 2

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 8

Read the above extract and answer the questions that follow.

Q.1 What is the story of Jacob?
Q.2 What does Shylock think of ‘thrift’ in Jacob’s case?
Q.3 Why does Antonio not agree with him?
Q.4 Why does the phrase “the devil quoting the scripture” arise?
Q.5 Why is Shylock dilly-dallying before saying ‘yes’ or ‘no’?

Passage – 3

Merchant of Venice Workbook Answers Act 1 - Unsolved Comperhension Passages 9

Read the above extract and answer the questions that follow.

Q.1 Write what you know about Father Abram?
Q.2 How does Shylock try to convince Bassanio that his motive is harmless?
Q.3 How is the entire matter solved?
Q.4 Who is the ‘unthrifty knave’?
Q.5 How does Shylock’s suspicion of him come true later?

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Merchant of Venice Workbook Answers Act 5 – Passages with Reference to the Context

Merchant of Venice Workbook Answers Act 5 – Passages with Reference to the Context – ICSE Class 10 & 9 English

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Passage – 1
(Act V, Sc.I, Lines 3-6)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 1

Context : This is an allusion to a love-story of Greek mythology. Lorengo is speaking to Jessica in the famous moonlight Scene in Act V of Merchant of Venice.

Explanation : Lorenzo says that in such a moonlight night, Troilus must have climbed up to the walls of the city of Troy and breathed out passionate sighs in the direction of the Greek camps where his beloved Cressida lay asleep.

Passage – 2
(Act V, Sc. I, Lines 7-8)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 2

Context : These lines are spoken by Jessica in The Merchant of Venice in the famous moonlight scene. Jessica and Lorenzo are talking to each other of love.

Explanation : Jessica says that in such a night. This be went to meet her lover but that, seeing the shadow of a lion, she ran away frightened though she had not seen the lion actually.

Passage – 3
(Act V, Sc.I, Lines 9-11)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 3

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 4

Context : These are Lorenzo’s words to Jessica in the famous moonlight scene in The Merchant of Venice.

Explanation : Lorenzo says that in such a night as this. Dido stood on the desolate sea-coast holding a willow branch and waving to her lover to come back to Carthage. (The willow is a symbol of disappointment in love.)

Passage – 4
(Act V, Sc.I, Lines 58-65)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 5

Context : These are Lorenzo’s words to Jessica in the famous moonlight scene of The Merchant of Venice.

Explanation : Lorenzo asks Jessica to look at the sky which is studded with stars. The stars appear to be like discs on the floor of heaven. Lorgnzo says that every planet or star, no matter how small it is, moves in its orbit, producing divine music. The angels in heaven hear and enjoy this music. The music of these spheres (or planets) mixes with the music produced by the bright-eyed angels. Thus, a sweet music exists in immortal souls. But as long as our souls are imprisoned in our bodies of clay, our ears cannot catch that music.

Passage – 5
(Act V, Sc.I, Lines 71-74)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 6

Context : These are Lorenzo’s words to Jessica in the famous moonlight scene of The Merchant of Venice. Jessica has said that she feels melancholy whenever she hears sweet music. Lorenzo says that music softens even the beasts.

Explanation : Even a herd of uncontrollable wild beasts or a group of young and untamed horses which gallop with big strides, neighing loudly and thus showing the passion of youth – even such wild creatures stop together suddenly with a gentle expression in their eyes when they hear the sound of a trumpet or any other musical sound. Thus, even wild beasts feel the influence of music.

Passage – 6
(Act V, Sc.I, Lines 79-86)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 7

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 8

Context : These lines are taken from The Merchant of Venice. Lorenzo and Jessica are talking to each other of moonlight and love, while music is being played in the garden at Belmont. Lorenzo here talks about the effect of music.

Explanation : Music, says Lorenzo, has a great appeal even for beasts. That is why, according to a Greek myth, Orpheus is said to have drawn trees, stones and rivers towards himself by the sweet music of his flute. Music has the power to melt even hard and cruel creatures. The man who can neither produce music himself nor is pleased by music has much evil in him. He who does not love music has in him seeds of treachery, deception and other crimes. Such a man is dull as night; his soul is as dark as hell (Erebus) ; and he is untrustworthy.

Passage – 7
(Act V, Sc.I, Lines 93-97)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 9

Context : This is a speech made by Portia on her return to Belmont from Venice. She sees from a distance a candle burning in her hall. Nerissa says that, when the moon was shining, the candle was not visible. Portia ; thereupon, makes this speech showing that a lesser light is eclipsed by a brighter light.

Explanation : Portia says that small things may seem important in the absence of great things but that when compared with great things, they are reduced to insignificance. A viceroy looks glorious as long as the sovereign is not near but, when the latter appears, the viceroy loses his glory just as a river flows towards ocean and loses itself in the ocean.

Passage – 8
(Act V, Sc.I, Lines 102-108)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 10

Context : These words are spoken by Portia to Nerissa in The Merchant of Venice, Act V when the mistress and the maid have returned home from their visit to Venice. Portia says that the atmosphere has much to do with the effect of music.

Explanation : A thing acquires a greater value if it is done at a proper time. Even music becomes sweeter under certain circumstances, ; Atmosphere lends an additional charm to things. The cawing of a crow may be described as having the same sweetness as the song of a nightingale, if nobody is listening to them. If a nightingale were to begin singing during the day¬time when the geese are making noise, the nightingale’s song will sound no sweeter than the voice of a wren. In other words, even the song of a nightingale sounds sweeter at night because then the atmosphere is more favourable.

Passage – 9
(Act V, Sc.I, Lines 147-150)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 11

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 12

Context : These are Gratiano’s words to Portia in The Merchant of Venice in Act V when Nerissa takes her husband to task for having given away her ring. Portia asks Gratiano what the quarrel is about, and Gratiano makes this reply.

Explanation : Gratiano says that Nerissa is quarrelling with him about an ordinary gold ring which she had given him. He makes light of the ring by saying that the words inscribed on the ring were no more elegant than the words usually carved on a knife. Knives usually bear such prosaic mottoes as “love me and leave me not.” Nerrisa’s ring, according to him, bore no better a motto. He is trying to belittle the importance of the ring because he has given it away and he does not want that Nerissa should quarrel with him over it.

Passage – 10
(Act V, Sc.I, Lines 203-207)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 13

Context : These lines are part of Portia’s speech to Bassanio in Act V. of The Merchant of Venice. Bassanio has tried to explain the circumstances under which he felt compelled to give away Portia’s ring to the judge who decided Shylock’s case against Antonio. Bassanio has said that the judge would not take anything but the ring and that he found it impossible to resist the judge’s demand. Portia pretends not to be satisfied with Bassanio’s explanation.

Explanation : Portia says that she cannot believe that the judge could have been so unreasonable as to insist upon getting the ring. She says that if Bassanio had emphatically and forcefully told the judge that the ring was a sacred token ofhis wife’s love, the judge would not then have been so disregardful of Bassanio’s sentiments. She adds that she agrees with Nerissa in the latter’s view that the two men (Bassanio and Gratiano) gave away the rings to their mistresses in Venice. Portia is counterfeiting anger and is charging her husband with unfaithfulness towards her. All this is, of course, a part of the comedy of rings.

Passage – 11
(Act V, Sc.I, Lines 60-65)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 14

Context : In the Act of The Merchant of Venice, when Lorenzo comes to know that Portia and Jessica are coming back to Belmont, he asks his friends to bring forth music. In these lines he praises the value of music in a calm and still moonlit night. He says that there is a music in every part of Nature, even in the soul of man but we cannot appreciate it.

Explanation : Lorenzo says that every planet in the heaven moves in symmetry and harmony. They produce a music in her motion and sing like an angel in the company of young Cherubins. In the soul of men too there is such a music and harmony. But, our souls are covered with human flesh and blood so that we cannot hear that music. Music is eternal to nature and to human soul and we should try to catch it at certain moments.

Passage – 12
(Act V, Sc.I, Lines 89-91)

Merchant of Venice Workbook Answers Act 5 - Passages with Reference to the Context 15

Context : These lines are spoken by Portia in the last Act of The Merchant of Venice. These lines are full of philosophical reflection.

Explanation : Portia says the light they see burning in the hall of her house is just a small candle that is burning, but we can see its light from a long distance. In the same way a noble deed shines in a wicked world. Just as a small candle spreads its light far and wide similarly good deeds stand out in this world full of evil.

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Merchant of Venice Workbook Answers Act 4 – Passages with Reference to the Context

Merchant of Venice Workbook Answers Act 4 – Passages with Reference to the Context – ICSE Class 10 & 9 English

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Passage – 1
(Act IV, Sc.I, Lines 30-33)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 1

Context : These lines occur in Act IV, Scene I, of The Merchant of Venice written by William Shakespeare. In this famous Trial Scene, we find the Duke requesting the Jew not to be barbarious in accepting only the flesh and nothing else.

Explanation : The Duke pleads with Shylock to pacify his anger and cruelty. He says that recently Antonio has been the victim of many losses. The royal merchant has been reduced to a sorry plight. His condition is so sad and pathetic that it is bound to give rise to pity and sympathy even in the cruel and hard-hearted Turks and Tartars who never know what pity is. The Duke appeals to Shylock that he should sympathetically consider the sad losses which have come crowding on Antonio.

Passage – 2
(Act IV, Sc.I, Lines 47-52)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 2

Context : These lines are spoken by Shylock in the first scene of Act IV of The Merchant of Venice. After the forfeiture of the bond, Shylock is determined to cut the pound of flesh from Antonio’s body. The Duke in the court requests him to give up this intention and asks him why he is so much bent upon it when it is of no use to him. To this Shylock replies that it is his personal choice and nobody can question it.

Explanation : In this famous Trial Scene, Shylock makes a spirited and rational defence of his conduct in repeatedly insisting upon a pound of Antonio’s flesh. His arguments are evasive; hatred is more or less instinctive and irrational. Why should one man like a thing and another man hate it? A gaping or a harmless cat can do one no mortal injury; still there are people who hate them. His implication is that Antonio had done him injury; and even without that, he can hate him.

Passage – 3
(Act IV, Sc.I, Lines 94-97)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 3

Context : These lines from Act IV, Scene I, of The Merchant of Venice contain Shylock’s powerful and logical retort and reply to the Duke’s question that how can he (Shylock) hope for God’s mercy when he himself shows none.

Passage – 4
(Act IV, Sc.I, Lines 221-222)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 4

Context : These lines from Act IV, Scene I of The Merchant of Venice, contain Shylock’s exclamation at Portia’s remark that the law of Venice cannot be perverted or wrested in favour of Antonio, because that will bring disgrace to the law of Venice itself and many discrepancies will be introduced into the law by following bad examples.

Explanation : Shylock feels exultant and says that Portia, in delivering his judgement, is acting as wisely as Daniel, the famous judge mentioned in the Bible.
It is noteworthy that Shylock compares ‘the wise young judge’ to Daniel. This is one of the numerous touches which indicate Shylock’s intimate knowledge of the Old testament.

Passage – 5
(Act IV, Sc.I, Lines 266-270)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 5

Context : These words are spoken by Antonio in. the Trial Scene of The Merchant of Venice. Portia after addressing a noble appeal for mercy to Shylock, has told him that he can have thrice the amount loaned to Antonio. Bassanio is willing to pay even more. But Shylock says that he must have his bond and that is no use asking him for mercy because there is nothing ‘in the tongue of men’ that can alter him. Portia then (disguised as a lawyer of course) tells Antonio to prepare himself so that Shylock may have his one pound of flesh nearest his heart. Portia asks Antonio if he has anything to say in his defence.

Explanation : Antonio in a long speech, says that he has nothing to say in his self-defence. He bids farewell to his dear friend Bassanio by saying that even in the ‘forfeiture’ of the bond, Fortune has been kinder to him than she is ordinarily to other men. Cruel Fortune, according to Antonio, generally makes men out¬live all their wealth. But, she has saved him, at least, from that distress.

Passage – 6
(Act IV, Sc.I, Lines 47-52)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 6

Context : These lines are taken from The Merchant of Venice and from part of Shylock’s answer to the Duke of Venice in the Trial Scene when the Jew has been advised by the Duke to show pity to Antonio.

Explanation : The Jew says that it is not necessary for him to state any reasons for his insistence on the pound of flesh. There are people who cannot tolerate the sight of an open mouthed pig. Others feel enraged at the sight of a cat. Others feel infuriated to hear the music of the bagpipe (a musical instrument). In all these case, there is no definite reason for people’s’dislike of various things. It is just a matter of one’s inclination or taste. One’s likes and dislikes are not determined by any rational considerations but just by whims. Shylock means that he wants the pound of flesh just because he hates Antonio and not on any rational grounds.

Passage – 7
(Act IV, Sc.l, Lines 71-72)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 7

Context : These words are spoken by Antonio to his friend Bassanio in The Merchant of Venice in the Trial Scene.

Explanation : Antonio says that nothing is more difficult than to softer the hard – hearted Jew. To soften him is as difficult as to make the ocean obey an order to diminish the fury of its waves; as useless as to ask to wolf why it has killed the lamb and thus caused distress to the ewe; as fruitless as to ask the pine-trees growing on a mountain side not to toss their branches and not to produce any sound, when the wind blows upon them.

Passage – 8
(Act IV, Sc.l, Lines 130-137)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 8

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 9

Context : These words are spoken by Gratiano to Shylock in The Merchant of Venice when the former sees the cruel attitude of the Jew in the court just before the entry of Portia.

Explanation : Gratiano bitterly remarks that the Jew’s attitude almost upsets his Christian faith. Gratiano now agrees with Pythagoras who said that the souls of animals pass into human bodies. The beastly soul in the body of Shylock, says Gratiano, must have been originally a wolf’s. When that wolf was hanged to death for killing human beings, its cruel soul must have entered Shylock’s body when he (Shylock) was still in the womb of his devilish mother.

Passage – 9
(Act IV, Sc.l, Lines 182-195)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 10

Context : This is the first part of Portia’s famous “Quality of Mercy” speech addressed to Shylock in The Merchant of Venice in the Trial Scene.

Explanation : Portia says that the feeling of mercy cannot be forced from a human being. Mercy springs as naturally or spontaneously from the human heart as the rain falling from clouds on earth. Mercy yields a double reward— it blesses him to whom mercy is shown, but it also blesses him who shows mercy. The greater the person showing mercy, the higher is the quality of mercy. A king appears to be better by his mercy than by his crown. The king’s scepter is a symbol of his earthly power. It is a sign of his majesty and its purpose is to stir fear and awe in the hearts of the subjects. But mercy is a nobler power. The true place for mercy is in the heart of king. Mercy is an essential quality of God Almighty. A human authority acquires a divine character by softening the hardness of justice with mercy.

Passage – 10
(Act IV, Sc.I, Lines 264-269)

Merchant of Venice Workbook Answers Act 4 - Passages with Reference to the Context 11

Context : These words are spoken by Antonio to Bassanio in The Merchant of Venice during the Trial Scene when all appeals for mercy have failed to melt the heart of the Jew.

Explanation : Antonio asks Bassanio not to feel sad because he is going to meet death of friend’s sake. He says that it is fortunate that he is going to die soon after becoming poor. Usually a man who has suffered reverse of fortune lives long enough to spend his old age in poverty. But it is better to die than to live long in a state of wretchedness and bankruptcy.

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Merchant of Venice Workbook Answers Act 3 – Passages with Reference to the Context

Merchant of Venice Workbook Answers Act 3 – Passages with Reference to the Context – ICSE Class 10 & 9 English

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Passage – 1
(Act III, Sc.I, Lines 31-35)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 1

Context : This is a piece of dialogue between Shylock and Salarino in The Merchant of Venice when Jessica has run away from her father’s home.

Explanation : Shylock condemns his daughter for having run away from home and having thus defied her own father. Salarino says that there is nothing in common between Shylock and Jessica. She differs from her father as much as the black colour differs from the white or as red wine differs from white wine. In other words, there is a world of difference between Shylock and Jessica, and therefore, if she has run away from home, she has done Shylock no wrong.

Passage – 2
(Act III, Sc.I, Lines 45-50)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 2

Context : These words are spoken by Shylock to Salarino and Salanio in The Merchant of Venice. The two friends have been talking to the Jew about the reported losses of Antonio. Shylock utters a warning with regard to the bond signed by Antonio. On being asked what he will do with a pound of human flesh, Shylock makes this replay.

Explanation : Shylock says that he will insist , on having a pound of Antonio’s flesh. He will use this flesh as a bait to catch fish! If Antonio’s flesh serves no other purpose, it will at least satisfy Shylock’s revenge. Shylock then enumerates the injustices and indignities which Antonio has heaped upon him. Antonio, he says, has been causing him financial losses. Antonio has been rejoicing at his losses and jeering at his gains, Antonio has been abusing the Jewish race. Antonio has spoilt his bargains. Antonio has deprived him of his friends and instigated his enemies against him. And what is Antonio’s reason for doing all these things? The only reason is that Shylock is a Jew.

Passage – 3
(Act III, Sc.I, Lines 59-63)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 3

Context : These lines, taken from The Merchant of Venice, are part of Shylock’s speech containing a passionate plea of his revenge on Antonio.

Explanation : Shylock says that, if a Jew were to do any wrong to a Christian, the Christian would surely take his revenge. If, then a Christian does wrong to a Jew, should not the Jew also take revenge? Shylock adds that his desire to take revenge is born of the Christians’ own revengeful nature. He is simply following their example in wanting his revenge. His revenge, he says will certainly be more cruel than Christian revenge (because he has been the victim of too many wrongs and injustices).

Passage – 4
(Act III, Sc.I, Lines 80-85)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 4

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 5

Context : These words are spoken by Shylock to Tubal in The Merchant of Venice. Shylock is expressing his grief over the loss of his daughter and of his money-bags—and also over the loss of the money spent on tracing the run-aways.

Explanation : Shylock says that he has suffered an additional loss by spending a lot of money in his effort to trace Jessica and her Christian lover. He wails that he has not even been able to satisfy his revenge by finding and punishing them. He sorrowfully says that he alone in the world has suffered so many griefs. He is the only one to sigh and to shed tears.

Passage – 5
(Act III, Sc.II, Lines 47-53)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 6

Context : These lines are part of Portia’s speech in The Merchant of Venice when Bassanio surveys the caskets in order to make his choice

Explanation : Portia says that, if Bassanio is successful, the music which she has ordered will appear like the sounding of trumpets at the time of the coronation of a new king when faithful subjects bow before him. Or, this music will be as sweet as the sounds which steal into the heart of a dreaming bride-groom at the dawn of his wedding-day and which invite him to get married.

Passage – 6
(Act III, Sc.II, Lines 53-62)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 7

Context : These lines are taken from The Merchant of Venice. They are part of Portia’s speech made just before Bassanio’s choice of casket.

Explanation : In Greek mythology, the King of Troy offended the god of the sea who sent a monster to punish the Trojans. In obedience to the order of an oracle, the Trojans were forced to sacrifice a virgin to that monster every now and then. On one occasion it was decided that the King’s own daughter should be the victim. Hercules, however, fought the monster, killed it and saved the life of the King’s daughter.
Portia here compares herself to the maiden who was to be sacrificed to the monster. Bassanio is compared to Hercules. The choice of a casket is like the battle with the monster. The members of her household are like the weeping Trojan women who had come to watch the result of Hercules’s fight with the monster. On the result of that fight depended the life of the King’s daughter. Similarly on the result of Bassanio’s choice depends Portia’s life and happiness. Portia asks Bassanio to go ahead and make his choice. She says that she is more anxious about the outcome than Bassanio who is about to under trial.

Passage – 7
(Act III, Sc.II, Lines 73-83)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 8

Context : These lines are taken from The Merchant of Venice and from part of one of these speeches of Bassanio in the casket scene.

Explanation : The outward appearance of an object, says Bassanio, is no test of its quality. People usually judge things by their external decoration. In law, even a false case can be given the air and appearance of truth by an able and clever advocate. In matters of religion even an impious theory is given a sacred character by a priest who will support it with quotations from Scriptures. In both these cases, it is clear, evil can be dressed in attractive colours. No matter how wrong a thing may be, it can be made to wear to appearance of righteousness in order to deceive people.

Passage – 8
(Act III, Sc.II, Lines 73-83)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 9

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 10

Context : These lines, taken from The Merchant of Venice, are part of Bassanio’s comment upon the gold casket.

Explanation : These are many people in this world who are chicken-hearted. They are devoid of strength like steps of sand, but they put on airs of bravery and heroism. They pretend to possess the courage of Hercules and the fighting power of Mars, but when it comes to a test, their cowardice is exposed. Such people put on a show of heroism just to make themselves fearful to others.

Passage – 9
(Act III, Sc.II, Lines 88-101)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 11

Context : These lines are part of Bassanio’s speech in the casket scene of The Merchant of Venice. As he looks at the casket of gold, he . says that appearances are deceptive.

Explanation : Beauty can be bought with money. Bassanio means that money can purchase beautifying ornaments as well as toilet goods. A woman, who uses these aids to beauty, is really transformed by them and looks very attractive. But those who use these decorations are not actually beautiful. Take the example of a woman who wears hair which she has purchased with money. This hair may be curly, glossy, lustrous—in a word, magnificent. Its tresses, comparable to snakes, may play beautifully with the wind. In reality, however, this hair does not belong to her but to some other woman who has long been dead. A man would no doubt be fascinated by the beautiful hair which the woman is wearing but in being attracted by her he is under a wrong impression. In this way, external decoration proves deceptive. External decoration may be compared to a treacherous shore which leads a ship into a perilous ocean. Or it may be compared to a splendid veil which hides the black face of an Indian woman. In short, external ornament is something undependable and it is used by deceitful persons to mislead even the most experienced people.

Passage – 10
(Act III, Sc.II, Lines 101-106)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 12

Context : These are the concluding lines of Bassanio’s speech in The Merchant of Venice, made when Bassanio is going to choose one of the three caskets.

Explanation : Bassanio rejects the gold casket on the ground that it is too showy and that gold was the favourite metal for King Midas. Nor is Bassanio attracted by silver which is the common medium of exchange in the everyday transactions of men. He decides to choose the poor casket of lead, the external appearance of which is discouraging rather than hopeful. The paleness of lead appeals to him more than the showy appearance of anything else.

Passage – 11
(Act III, Sc.V, Lines 41-45)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 13

Context : These words are spoken by Lorenzo to Jessica and are his description of Launcelot Gobbo. Launcelot has been, as is his habit, talking in half sensible, half non sensical manner and has been playing upon words, twisting their meaning, distorting the sense, and so on.

Explanation : Lorenzo observes that Launcelot’s words really suit the occasion. Launcelot, says Lorenzo, has stored in his mind a large number of useful words and phrases for all occasions and uses them whenever needed. There are many such fellows, says Lorenzo, who occupy better positions in life but who, equipped with a similar store of words and phrases, use them, in an inappropriate manner. In order to use a clever or effective word or phrase, these fellows often sacrifice the sense. In other words, there are many people who employ fine words and phrases in order to show their ability even if those words and phrases are not suited to convey their ideas.

Passage – 12
(Act III, Sc.I, Lines 50-59)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 14

Context : These lines are spoken by Shylock in Act III, Scene I of The Merchant of Venice. This great, passionate speech of Shylock is a fervent protest against religious discrimination and a plea for treating the persecuted Jews as human beings Shylock here stands as the champion of his oppressed race. Antonio has insulted the Jew, publicly, laughed at him and excited his enemies against the Jew. Now his opportunity for revenge has come and he must utilise it.

Explanation : Shylock pleads that the distinction between a Jew and a Christian is an artificial and stupid one. All men belong to the same human family, and there is not elemental difference between men. Is a Jew not fed with the same food as others eat? Is a Jew not hurt when attacked with a weapon, when others are? Shylock sees no reason why the Jews should he hated. A Jew also is attacked by the same disease, healed by the same remedies, wanned by the same summer and cooled by the same winter as a Christian is. They also have a sensation of pleasure and pain. If you hurt them, do they not bleed. The law of cause and effect is absolutely the same with both the Jews and the Christians. Do they not laugh when tickled! They are also liable to be killed by poison as a Christian is. If any wrong is done to them shall they not revenge? When a Christian .suffers an injury, he wants revenge. In the similar manner when a Jew suffers an insult, he too wants revenge. They also have the spirit of retaliation and skill certainly take revenge when they have an opportunity.

Passage – 13
(Act III, Sc.I, Lines 77-79)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 15

Context : These lines are an outburst of Shylock’s feeling of despair at the loss of his daughter. These lines he utters in Act III, Scene I of The Merchant of Venice when Tubal informs him that his daughter Jessica is squandering Shylock’s wealth with Lorenzo, a Christian lover.

Explanation : Shylock prefers the death of his daughter to the disgrace and humiliation that she brought to him and his race by eloping with a Christian. Surely he did not wish that his daughter had been dead, so that he might snatch away her jewels from her ears, he wished that his daughter had died instead of having run ]\ away with a Christian. “If the dead body of his daughter in the coffin were only within his reach, he would have tom the jewels from her ear, and taken the ducats out of her coffin.”

Passage – 14
(Act III, Sc.II, Lines 14-19)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 16

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 17

Context : These lines taken from Act III, Scene II of The Merchant of Venice are spoken by Portia. In this sense, she prays to Bassanio to choose the right casket. She even asks him to delay making the choice so not to commit any mistake and even hints him regarding which casket to choose.

Explanation : In the scene where Bassanio makes the choice of the caskets, Portia makes a confession of love even before Bassanio ventures to try his luck. In an artlessly artful manner she says that half of her belongs to him already, while the other half which she would call her own, is also his like everything else in his possession. Thus, she is entirely Bassanio’s; nevertheless he may not take possession of that which rightly belongs to him. These naughty times put bars between the owners and their rights. Bassanio cannot marry Portia unless he succeeds in choosing the right casket. It is noteworthy that here Portia under the influence of her love for Bassanio, almost bewails the tyranny of her father’s will in the matter of the marriage. Out of respect to his memory she calls it the tyranny of the times a vague expression for what she really wants to say.

Passage – 15
(Act III, Sc.II, Lines 97-101)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 18

Context : These lines are taken from Act III, Scene II and are spoken by Bassanio in The Merchant of Venice. In these lines he points out how people entrap other people by putting on false appearances. This outward decoration might even entrap the wisest.

Explanation : In these lines, spoken by Bassanio in Act III Scene II when he has listened to the song played by Portia’s musicians and decided to choose the lead casket, he mentions how the foolish people look at the polished surface of things, rather than the core, and repent later. The mariner who is guided by the playful glitter of the sun’s rays upon the ways of the sea crushes against the sunken reef. A dark face can hide itself in a beautiful scarf, the seemingly true turn out to be false. Although Bassanio is wiser after his own experiences of life, it is the theme of the song that directs his thoughts in the right direction, “Tell me where is Fancy bred?”

Passage – 16
(Act III, Sc.II, Lines 178-183)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 19

Context : Over whelmed by Portia’s speech Bassanio speaks these lines in Act III, Scene II.

Explanation : This passage is full of poetic beauty. Bassanio is so much overpowered with the speech of Portia that he cannot speak at all. The rapid running of blood through his veins is the only indication of the feeling within him. And if only she could, in her imagination, reach out to that blood, she would know those feelings. There is no other means of expression left to him at the moment. He says that he has been thrown into a confused state and the bewilderment of his mental faculties may be compared to such confusion as may be noticed in a multitude after some popular monarch has delivered a fair speech. After this royal oration, the pleasing voices of the multitude, individually expressive of joy, would unite into a wild nothing. The different expressions of their approbation of the royal oration have some meaning in themselves, but when they are mixed up in a wild medley of sounds they become expressive of no meaning except that they are a cumulative expression of joy which cannot be heard in distinct, clear articulate words. Exactly the same is the case with Bassanio, who cannot express his ecstasy.

Passage – 17
(Act III, Sc.II, Lines 287-291)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 20

Context : This is Bassanio’s tribute to the character of Antonio, his kinsman and patron. Just after the successful termination of the Casket choosing scene. Bassanio receives a letter in which he is informed of Antonio’s misfortune. Portia asks him about Antonio and the nature of his danger.

Explanation : Antonio, Bassanio says, is a man of the sweetest and noblest nature and one who is never tired of doing acts of kindness towards others. Though Antonio is a modern Italian, in his code of conduct, in his standards of morals, he is an ancient Roman, the like of whom is nowhere to be found in the whole of Italy. (Romans in ancient days held high honours for their morals and patriotism).

Passage – 18
(Act III, Sc.V, Lines 42-46)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 21
Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 22

Context : These lines are spoken by Lorenzo in The Merchant of Venice in Act III, Scene V7 where he very beautifully analyses Launcelot feeling. Launcelot is to use a Shakespearean expression a fool positive. He has an armoury of words at his command from which he draws ‘ at will and uses the words at the sacrifice of the meaning.

Explanation : Lorenzo asks Launcelot to go and arrange the dinner. Launcelot in usual clownish way twists the meaning of Lorenzo’s words. This annoys Lorenzo. He says that Launcelot has gathered many expressions and good words without properly understanding their senses and uses them always in wrong context. He sacrifices the sense for sound. But Launcelot alone is not to be blamed. Many people occupying higher positions in life than Launcelot do the same thing. These people have a store of fantastic expressions and use them, no matter whether they suit the topic to which they apply them or not.

Passage – 19
(Act III, Sc.V, Lines 55-59)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 23

Context : These lines are spoken by Jessica in praise of Portia in Act III Scene V, of The Merchant of Venice. Both she and Lorenzo have arrived in Belmont and have been left incharge of the house by Portia while leaving stealthily for the Duke’s court. In her absence they talk of her beauty and worth among themselves.

Explanation : Jessica says that Portia is the most beautiful lady ever born in this world. Her equal cannot be found anywhere. If two gods play a match by staking two earthly women and one of them is Portia, then to the other something else must be added because such a lady does not exist at all. She is unequalled and unapproachable.

Passage – 20
(Act III, Sc.II, Lines 108-119)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 24

Context : These words are spoken by Portia in The Merchant of Venice when Bassanio has successfully made his choice of a casket.

Explanation : All Portia’s fears and doubts now melt away. There is no more of that despair in her heart to which she had so rashly given way. Jealousy, which gives to human eyes a pale and wasted look, has been driven out of her heart. Her joy is at this time excessive. She cannot bear such an intensity of joy. She, therefore, wants this excessive joy to diminish so that she can bear it. Too much of joy might create a feeling of over-satisfaction. Therefore, she wants it to become less. She appeals to love to reduce the intensity of the pleasure it has given rise to.

Passage – 21
(Act III, Sc.IV, Lines 62-71)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 25

Context : These words are spoken by Portia to Nerissa in The Merchant of Venice, when she has decided to go to Venice in male disguise along with Nerissa who will also be disguised as a man.

Explanation : Portia tells Nerissa how she will behave when she is in masculine clothes. She says that when they are both in male disguise, she can bet that she will look more handsome than Nerissa. She says that she will wear her dagger more smartly and will speak in the shrill voice of a person who has just entered from boyhood into manhood. While walking, she will take long steps, not short ones which a woman takes. She will talk of fighting as boastful young men do. She will invent clever lies and talk of women of high status who fell in love with her and who died of love sickness and disappointment, because she did not respond to their love. Portia is satirizing the ways of young men who boast of their bravery in fighting and who boast even more of their exploits in love.

Passage – 22
(Act III, Sc.IV, Lines 72-78)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 26

Context : These words are spoken by Portia to Nerissa in The Merchant of Venice when Portia has decided to dress herself in male clothes in order to go to Venice. She will take Nerissa along with her, and Nerissa will also be dressed in male clothes. Portia mocks at the behaviour of young men who boast of their adventures in love and of their bravery.

Explanation : Portia says that, when she is dressed like a man, she too will boast of her conquests over the hearts of women. She will relate stories about women who died for her sake. Then she will express her regret at having let them die. She will tell scores of such petty lies. She says that she will so successfully imitate the talk of men that people will really begin to think her a young man who has recently left school. She adds that she knows hundreds of these crude tricks which boastful young men employ. She, too, will employ those tricks in order to convince people that she is a young man.

Passage – 23
(Act III, Sc.V, Lines 8-12)

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 27

Merchant of Venice Workbook Answers Act 3 - Passages with Reference to the Context 28

Context : These words are spoken by Launcelot in The Merchant of Venice when he learns from Jessica that her husband has made her a Christian.

Explanation : It was a mistake on the part of Lorenzo, says Launcelot, to convert Jessica to Christianity. Already the Christians were as many in number as could just live comfortably in this world. Any addition to their number will be disastrous. The price of pork is sure to rise in view of this conversation because the increase in the number of Christians means a corresponding increase in the demand for pork. If this increase in the number of Christians continues, pork will become so scare that not even a slice will be available at any price.

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Merchant of Venice Workbook Answers Act 2 – Passages with Reference to the Context

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Passage – 1
(Act II, Sc.I, Lines 1-7)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 1

Context : These words are spoken by the Prince of Morocco to Portia when he is about to make his choice of a casket.

Explanation : The Prince of Morocco asks Portia not to dislike him because of his black complexion. As he is a native of a tropical country, his black complexion is due to the excessive heat of the sun. He says that he is willing to stand comparison with the fairest person from a cold, northern country where the sun shines so mildly that it cannot even melt the ice. Let blood be drawn from his body and from the body of a fair-complexioned person and let the redness of their blood be compared to find out which of the two men is healthier and braver.

Passage – 2
(Act II, Sc.I, Lines 24-31)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 2

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 3

Context : These words, takens from The Merchant of Venice are spoken by the Prince of Morocco to Portia when he us about to make his choice of a casket.

Explanation : The Prince of Morocco swears by his sword that in order to win Portia he would do the most daring thing in the world. With this sword, he says, he killed the Shah of Persia and also a Persian Prince who had thrice defeated Sultan Solyman in battle. He asserts that in order to win Portia he would provoke and overcome the bravest person, snatch away from the she- bear her young, sucking cubs, and even challenge the hungry lion searching for victim.

Passage – 3
(Act II, Sc.I, Lines 31-35)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 4

Context : These lines are taken from The Merchant of Venice and form a part of the speech of the Prince of Morocco when he is going to try hjs fortune at the caskets in Portia’s house. He says that in courage he is second to none but that the choice of the right casket is a matter of fate, not of heroism.

Explanation : Hercules in ancient mythology was the strongest of men while Lichas was his servant. Morocco says that if Hercules and Lichas were to play at dice, it is just possible’ that the latter, though inferior to the former in physical strength, might be the winner by the winner by a lucky throw of the dice. Superiority in such a case would be determined by a mere chance. He means that, though he is the bravest of warriors, he might still fail to choose the right casket if accident does not favour him. Morocco feels sad to think that his bravery and heroism can be of no use to him in this lottery.

Passage – 4
(Act II, Sc.II, Lines 150-153)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 5

Context : These words are spoken by Launcelot Gobbo to his blind old father after Bassanio has accepted Launcelot’s suit and given him a job. Launcelot feels very happy and tells his father that he is really a lucky fellow. He looks at the palm and begins to read his fortune.

Explanation : Launcelot says that the lines on his palm indicate that three times he will narrowly escape being drowned but that he will run the serious risk of being married. He concludes his palm-reading by saying that if Fortune be a woman, she is a kind woman indeed, because she is so favourable to him.

Passage – 5
(Act II, Sc.III, Lines 16-19)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 6

Context : These lines are spoken by Jessica in Act II, Scene III of The Merchant of Venice. They reflect Shylock’s sordid house-keeping. Both his daughter Jessica and his servant. Launcelot are fed up with his harsh treatment and highly suspicious nature. He had made the house a hell for Jessica who is planning to elope with Lorenzo her Christian lover.

Explanation : Jessica gives a letter to Launcelot to be delivered to Lorenzo, apprising him of her intention of eloping with him. She does not like the ways of her father. Although by birth she is his daughter, she is in no ways kindred to his disposition. But she knows that in disliking her father and especially in eloping with a Christian boy against his will, she will be committing a hateful sin. She is, after all, not absolutely heartless.

Passage – 6
(Act II, Sc.V, Lines 29-33)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 7

Context : Shylock addresses these words to Jessica in Act II, Scene V of The Merchant of Venice. He has been invited to a feast and he is asking Jessica to guard the house in his absence and shut the windows, if she sees a masque of the Christians in the street.

Explanation : Shylock asks Jessica to note his words. When she hears the sound of the drum and the hateful noise of other musical instruments of the Christians she should not climb to the windows and thrust her head out to listen to them. She should shut all the windows of his house so that no sound of the merry-making of the Christians should pour into it. Thus not to mix with them, Shylock does not even want the sound of the Christian to enter his house.

Passage – 7
(Act II, Sc.V, Lines 46-48)

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Context : This comment is made by Shylock, who appreciates the services of Launcelot Gobbo who has come to bid him good-bye after he has taken service under Bassanio. We find him a bit moved at the thought of separation from the servant. .

Explanation : Shylock says that Launcelot is kind enough: but he eats too much, he is as slow as the snail in any useful work and sleeps during the day like the wild cat. So shylock is glad to get rid of him.

Passage – 8
(Act II, Sc.IX, Lines 78-80)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 9

Context : These lines spoken by Portia occur in Act II, Scene IX of The Merchant of Venice. The Prince of Arragon ultimately selects the silver casket and to his utter despair finds a fool’s head in it. But all is to Portia’s relief.

Explanation : Portia feels greatly relieved that the Prince of Arragon fails to choose the right casket and departs with his followers. She says that he has been punished for his arrogance and is glad that fools like he have just intelligence enough to argue wrongly and choose the wrong casket. Arragon is here compared to a foolish insect that has fluttered around a bright light, and been burnt. Portia calls suitors like Arragon “deliberate fools” that is, deliberating fools because they calculated too much and their choice depended not on love but on reasoning which led them astray. She is, of course, relieved and thankful for that.

Passage – 9
(Act II, Sc.VI, Lines 12-19)

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Context : These lines from Act II, Scene VI of The Merchant of Venice bring to light Lorenzo’s companion’s feelings on Lorenzo’s unpunctuality. They comment upon his diminishing ardour for Jessica. Salarino insinuates that his ardour has much cooled down, now that Jessica is his own.

Explanation : Gratiano here gives a full choice of illustration to prove that there is more pleasure in seeking than in actual enjoyment. The novelty of a thing wears out through use. Our pleasure is greater in seeking an object. Therefore, courtship period is more pleasant than the married life.

Passage – 10
(Act II, Sc.IV, Lines 36-39)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 11

Context : These lines are spoken by Jessica to Lorenzo in Act II, Scene VI of The Merchant of Venice.

Explanation : Jessica feels uneasy about her change of dress. She feels ashamed to come out in a boy’s suit. She, however, feels little sense of comfort that it is a dark night and so Lorenzo cannot notice the change in her. But she adds that if would not have mattered much even if Lorenzo saw her in a boy’s clothes. Lovers, blinded by their passions, do not generally mark the passing follies of each other. So Lorenzo also will not very much mind her change. If, however, Lorenzo were not so love- blind, if he were able to notice her pretty folly, he would have been shocked at Jessica’s transformation, for it was such a change that it would shock even Cupid, the blind god of love.

Passage – 11
(Act II, Scene VI, Lines 41-44)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 12

Context : These lines are spoken by Jessica in Act II, Scene VI of The Merchant of Venice. Jessica is secretly running away with Lorenzo. She ought to be kept concealed so that no one should get any trace of her.

Explanation : These lines contain Jessica’s womanly and becoming reply to the suggestion of Lorenzo that she (in the boy’s dress) should be his torch bearer. This was too much for her womanly nature. It is enough that she has put on a boy’s dress; but she could not be expected to display her own shamelessness by being Lorenzo’s torch-bearer. This will simply expose Jessica. Jessica would prefer to remain in darkness rather than hold up a lighted torch which’would be a blow to her modesty.

Passage – 12
(Act II, Sc.VII, Lines 55-59)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 13

Context : The Prince of Morocco in Act II, Scene VII of The Merchant of Venice argues to himself that he base lead is not suited to have Portia’s portrait. Morocco takes it for granted that he deserves Portia and considers only gold to be equal to his rank and appropriate to Portia’s qualities. The image he thinks worthy of Portia leads him astray.

Explanation : The Prince of Morocco in these lines argues to himself that the base lead cannot contain the portrait of saint-like. Portia and silver which is ten times inferior to gold, cannot also contain Portia, a rich gem like her is worthy of golden casket only. There he thinks that only golden casket which bears the inscription. “What many desire” contains her portrait. He remembers the English coin, which people use, bears the image of an angel, Portia is no less than an angel. Therefore, she must be contained in the golden casket, entirely hidden from view.

Passage – 13
(Act II, Sc.VIII, Lines 15-17)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 14

Context : These lines are taken from Act II Scene VIII of The merchant of Venice. Salanio tells Salarino about Shylock’s storm in his mind on finding his daughter having eloped with Lorenzo.

Explanation : In these lines Shylock laments about his daughter who has eloped with her lover. In his outcry Shylock seems greatly upset by the loss of both—his daughter and ducats, with perhaps the greater weight on the latter. In utter despair, he moves about the streets, crying about his loss. The worst part of it is that she has run away with a Christian.

Passage – 14
(Act II, Sc.IX, Lines 46-49)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 15

Context : These lines are spoken by the Prince of Arragon in Act II, Scene IX of The Merchant of Venice. Arragon is examining the caskets and on the silver one he reads the inscription, “Who chooses me shall get as much as he deserves.” He argues over it that people should certainly get what they deserve. In life so many people attain dignities without merit. In these lines he expresses this injustice rampant in the world.

Explanation : In these lines which are pregnant with dramatic irony the Prince of Arragon deplores the practice of the Elizabethan Age to award prizes and distinctions not to persons of merit, though of humble origin; but always to persons of rank even though undeserving. If merit were the only criterion, the humblest would occupy the most eminent positions and the men, in them would be reduced to nothing.- People should get what they deserve and as Arragon thinks he deserves Portia, he chooses the silver casket.

Passage – 15
(Act II, Sc.VI, Lines 8-13)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 16

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 17

Context : These lines are taken from The Merchant of Venice. Gratiano and Salarino are waiting for Lorenzo who was to come at a certain hour but is late. Gratiano explains this delay by saying that in all matters one is full of enthusiasm only till the time of fulfillment and that one’s desire cools down afterwards.

Explanation : One may be hungry like a hawk when sitting to meal but after the meal one feels fully satisfied. A horse, fresh from the stable, will show fire and energy and speed but during the return journey he shows a complete lack of willingness to run fast. A man shows more enthusiasm in the pursuit of a pleasure than in its enjoyment.

Passage – 16
(Act II, Sc.VI, Lines 14-19)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 18

Context : These lines are taken from Gratiano’s speech to Salarino in The Merchant of Venice. The^two friends are waiting for Lorenzo who has to come to this place where Jessica will join him. Lorenzo is late. Gratiano remarks that a man feels more pleasure in the pursuit of an object than in its achievement. Gratiano illustrates his statement with the following example.

Explanation : A ship leaves its native harbour with flags and other decorations. The wind seems very favourable and plays with that sails of the ship. In other words, the sails are filled with the wind which drives the ship forward. The same ship, on its return, has a weather beaten appearance because, during its voyage the faithless wind played it false and damaged its sails as well as its framework. This ship may be compared to a prodigal (spendthrift) who leaves home and returns to it, after a period of dissipation, in a state of financial and moral bankruptcy.

Passage – 17
(Act II, Scene IX, Lines 25-33)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 19

Context : These words are spoken by the Prince of Arragon in The Merchant of Venice When he reads the inscription on the gold casket while making his choice. The inscription reads: ‘‘Who chooseth me shall gain what many me desire.”

Explanation : The Prince of Arragon argues that this inscription should not tempt him. The word “many” in the inscription means the common people who include a large number of fools. These fools are misled by external appearances. To judge things by their external appearance is as foolish as for a swallow to build a nest on some outward wall exposed to all the storms, directly in the path of accidents. For this reason, he says, he would not like to class himself with the common people by choosing the gold casket.

Passage – 18
(Act II, Sc. IX, Lines 41-49)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 20

Context : These lines are taken from The Merchant of Venice and are part of the speech of the Prince of Arragon when he is examining the inscriptions on the various caskets.

Explanation : He says that high offices, titles and positions of honour should not be secured by dishonest means. He wants that merit alone should be the criterion for such rewards. If merit were the sole test, many of those who at present enjoy high positions and prosperity would be reduced to insignificance; and many who are powerful would be forced into subordinate positions. A.proper distinction between worthless people and honourable persons would then be made. In that case many who are disregarded and ignored at present would rise to high place.

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Merchant of Venice Workbook Answers Act 1 – Passages with Reference to the Context

Merchant of Venice Workbook Answers Act 1 – Passages with Reference to the Context – ICSE Class 10 & 9 English

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Passage – 1
(Act I, Sc.I, Lines 1-5)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 1

Context : These are the opening lines of the play The Merchant Of Venice, Spoken by Antonio. The merchant speaks to his friends Salarino and Salanio. Antonio makes a confession of the mysterious melancholy which oppresses him. He is shown as a sad man at the beginning of the drama even before anything happens to him. His sadness strikes the key¬note of his character.

Explanation : Antonio says that he does not know why he is so sad. Frankly speaking, this sadness has taken hold of him. You complain that you find this sadness very depressing for you. He can assure you that it has a similar effect on his spirits. He is totally ignorant how and where he came to have this melancholy, what has given rise to it and what its nature is.

Passage – 2
(Act I, Sc.I, Lines 8-14)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 2

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 3

Context : These lines are spoken by Salarino in The Merchant of Venice when Antonio is seen in a melancholy mood in the opening scene.

Explanation : Salarino tries to suggest a possible reason for Antonio’s melancholy. He says that Antonio’s mind is worried by thoughts of his richly laden merchant ships which are voyaging on the ocean. These ships of Antonio rise above smaller vessels just as rich men rise above ordinary citizens. Smaller ships bow to and salute Antonio’s ships just as humble persons bend respectfully before rich men. Salarino here describes Antonio’s ships in highly, complimentary words.

Passage – 3
(Act I, Sc.I, Lines 17-22)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 4

Context : These lines are taken from Act I Scene I of The Merchant of Venice. Salanio, one of Antonio’s friends speaks to Antonio, when the latter complains of his mysterious and strange melancholy.

Explanation : Salarino assures Antonio that if he were busy in a business enterprise as Antonio is, all his thoughts would center round what danger would the ships face. He should be constantly holding up a blade of grass in the air to find out if the wind was blowing in a direction favourable to his ship’s course. He should be consulting maps to find out what harbours, ports and road steads could lend shelter to his ships in case of need and danger. And to find anything that was likely to endanger the safety of his shops should, beyond all doubt, make him unhappy.

Passage – 4
(Act I, Sc.I, Lines 50-56)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 5

Context : These lines are taken from The Merchant of Venice. Antonio’s friends offer several explanations of his melancholy but Antonio does not admit any of those explanations to be true. At this point Salarino makes the comment quoted in above lines.

Explanation : Salarino swears by Janus (two faced gods) the Roman god of gates and doors, who can see both ways, that Nature has created people of strange temperaments. There are some people who are so jovial and good humoured that they laugh at trifles even as parrots laugh to see a bagpiper-one who plays on a bagpipe. Others wear such a sad, gloomy expression that they will not laugh even at a joke that can amuse the most serious man in this world. Salarino swears by Janus, the two faced god, because he has to describe people of two opposite temperaments. A parrot laughing at a bagpipe implies people who will laugh without rhyme or reason. Nestor is a character in Greek mythology. He was known for his over-seriousness. These lines show Antonio as a man of naturally melancholy temperament.

Passage – 5
(Act I, Sc.I, Lines 80-86)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 6

Context : These lines are taken from The Merchant of Venice. Antonio’s friends have been trying to find reasons for his melancholy. Antonio says that he is by nature a serious and gloomy man. Gratiano in this passage comments upon Antonio’s statement.

Explanation : Gratiano says that he would rather be a jester than a kill-joy. He would like to remain happy and gay till his very old age. It is better to drink heavily, even if it is harmful to health, than to sink in despair and feel worried to death. He cannot understand why a man in the prime of his life should feel sad and keep quiet like the stone statue of his grandfather. Why should a man be lazy and inactive in spite of youthful energy? Why should he contract diseases like jaundice by remaining continuously ill-tempered? Antonio’s melancholy seems causeless to Gratiano. He, therefore, condemns it in a witty manner.

Passage – 6
(Act I, Sc.I, Lines 88-94)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 7

Context : These lines are taken from The Merchant of Venice. Antonio’s friends have been discussing his melancholy. Antonio has said that his melancholy is temperamental and not due to any particular cause. Gratiano makes the following comment upon it.

Explanation : There are some people in this world who wear upon their faces a serious expression. Such people are like a pool of standing and stagnant water. They put on such serious airs deliberately and intentionally. Their object is to earn a reputation for wisdom, seriousness and deep thoughtfulness. They wish to appear to be prophets who must not be interrupted while they are uttering words of wisdom. Gratiano is here making fun of Antonio’s melancholy.

Passage – 7
(Act I, Sc.I, Lines 115-118)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 8

Context : These words are spoken by Bassanio to Antonio in The Merchant of Venice. Bassanio describes Gratiano’s habit of talking too much with very little meaning.

Explanation : Bassanio says that Gratiano’s talk contains very little sense. To find sense in Gratiano’s talks is like searching for two grains of wheat buried in two large heaps of chaff. It demands much time and much effort to discover the sense in Gratiano’s words and, when that sense has been discovered, the discoverer feels that it is not worth the pains that he has spent.

Passage – 8
(Act I, Sc.I, Lines 167-172)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 9

Context : These lines are taken from The Merchant of Venice. Bassanio wants a loan of- money from his friend Antonio in order to try his luck at winning Portia. He praises highly the lady whom he wishes to marry for her wealth as well as beauty.

Explanation : Portia’s beauty and accomplishments, says Bassanio, are not a secret from anyone. She is so widely known that men of high rank and position go to Belmont, where she live, from all countries and lands. Her like Colchos. Just as Jason went to Colchos in order to win the golden fleece, similarly suitors from far near go to Belmont in order to win fair Portia.

Passage – 9
(Act I, Sc.II, Lines 5-8)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 10

Context : These words are spoken by Nerissa to Portia in The Merchant of Venice. Portia has said that she is feeling sick of the world. Nerissa replies that happiness lies in having neither too much wealth nor too little.

Explanation : Nerissa says that people who have too much of wealth are as sick of life as people who are penniless. A person who has neither too much, nor too little is, therefore, lucky. A man who possesses too much wealth grows old to early; while he who has neither too much nor too little lives very long.

Passage – 10
(Act I, Sc.II, Lines 11-20)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 11

Context : These lines are taken from The Merchant of Venice. Nerissa has said that those who, like Portia, own too much wealth are as unhappy as those who have little. It is better, therefore, to be neither very rich nor very poor. Portia praises the wisdom of Nerissa’s remark.

Explanation : It is much easier to say wise things than to do them. If doing them were as easy as saying or knowing them, there would have been much greater happiness in the world than there is now. In the case small places of worship like chapels would have become churches; that is, they would have attracted more people and that would have led to a greater piety, and more kindness would have been shown to the poor. Thus, the happiness of the poor would have transformed their cottages into palaces. A really good priest is one who himself practices what he preaches. It is much easier to teach others to follow the right path than to follow it oneself. Reasons may dictate certain wise courses of action but one’s impulses usually ignore such dictates. Youth is generally nor rash and unthinking; so it never follows the rules of good conduct or good advice. Youth is swift like a hare and the advice of experienced people is a cripple. Youth cannot be caught in the net of good counsel. A young man never stops to consider the advice given to him. Portia ends her speech by saying that this way of talking and reasoning will not help her in getting husband. It is useless to analyses human nature, she says.

Passage – 11
(Act I, Sc.II, Lines 37-39)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 12

Context : These words, spoken by Portia to Nerissa in The Merchant of Venice express Portia’s opinion about the Neapolitan Prince who is a candidate for Portia’s hand.

Explanation : Portia humorously calls the Neapolitan Prince a colt (the young one of a horse), because he constantly talks about the horse. In calling him a colt, she also means that he is a wild fellow. The Prince, says Portia, takes great pride in the fact that can himself shoe his horse. He thinks it a great qualification. Portia is making fun of the Neapolitan Prince’s exaggerated interest in his horse.

Passage – 12
(Act I, Sc.II, Lines 41-45)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 13

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 14

Context : These words, taken from the Merchant of Venice, express Portia’s opinion about the Count Palatine, one of the suitor of Portia. Portia is talking to her maid, Nerissa.

Explanation : Portia says that the Count Palatine is all time frowning and that he seems to think that he will not bother very much if he is rejected by Portia. He is so serious-minded that he does not smile even at funny stories. If he is so foolishly serious-minded in youth, he will surely become a hardened pessimist in his old age.

Passage – 13
(Act I, Sc.II, Lines 50-58)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 15

Context : These words, taken from The Merchant of Venice, and contain Portia’s comment on one of her suitors, namely, Monsieur Le Bon, the French Lord.

Explanation : Portia says that she is willing to consider Monsieur Le Bon a human being only on the -ground that the God made him. She means that he is not fit to be regarded as a human being. She further says that making fun of people is a sin but that she cannot help making fun of this man. This fellow talks of his horse even more proudly than the Neapolitan prince. He has a worse habit of frowning ever, than the Count Palatine. He pretends to possess all sorts of accomplishments but actually he possesses none. He will start dancing when he hears a bird like the throstle singing. He will fight a duel even with his own shadow. He has no character ‘or personality of his own as he combines in himself the various qualities of at least twenty different persons. Marrying him would mean marrying twenty husbands. Portia says that if this fellow were to hate her she would not mind. If he were to love her, no matter how desperately, she would never be able to respond to his love.

Passage – 14
(Act I, Sc.II, Lines 65-69)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 16

Context : This is Portia’s comment on one of her suitors in The Merchant of Venice. Portia is talking to Nerissa and the target of satire if Falconbridge, the young baron of England.

Explanation : Portia says that the young baron of England is certainly as beautiful as a picture, but no one can talk with a picture, because a picture is dumb and cannot talk. She will not be able to talk to him because she does not know English and he does not know Italian or French. She then describes his strange was of dressing because he wears clothes of mixed fashions. He wears a jacket of an Italian design, breeches of a French cut, a hat of a German style, while his manners are a mixture of the manners of all countries.

Passage – 15
(Act I, Sc.II, Lines 71-75)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 17

Context : These words are spoken by Portia to Nerissa in The Merchant of Venice. Portia here gives an amusing description of the Scottish lord, one of her suitors.

Explanation : Portia says that the Scottish lord possesses a very sympathetic heart and charitable feelings. When the Englishman gave the Scottish lord a box on his ears, the Scottish lord promised to return it as soon as he would be in a position to do so. The Frenchman stood the Scottish lord’s surety in this transaction, and gave an assurance that the Scottish lord would certainly fulfill his promise to return the box. This assurance made the Englishman give another box to the Scottish lord.

Passage – 16
(Act I, Sc.II, Lines 77-79)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 18

Context : These words are from The Merchant of Venice spoken by Antonio in reply to Gratiano’s remark that Antonio looked sad because he had too much regard for the world and its good opinion of him. Antonio is in the company of Bassanio, Lorenzo and Gratiano. A short time before, when the play opens, Antonio says to Salarino and Salanio that he is sad but he does not know the cause of his sadness. Salarino and Salanio had tried in their own way to account for the sadness of Antonio. According to them he was sad either because he was thinking about his ships or because he was in love. But Antonio had rejected both these explanations. Now when the new group of friends arrives, they also note that Antonio is looking rather sad and careworn. Gratiano is the first to express this feeling.

Explanation : Antonio, not knowing the cause of his sadness, tells Gratiano that he regards this world as nothing more than a stage, upon which everybody has to play his part. He feels that his part in the drama of life set on the world’s stage is a serious one.

Passage – 17
(Act I. Sc.II, Lines 3-8)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 19

Context : These lines are from Act I, Scene II of The Merchant of Venice and are spoken by Nerissa, Portia’s waiting maid. Portia has just remarked that she has become ‘aweary’ of the world.

Explanation : Nerissa somewhat philosophically says that Portia’s sadness proceeds from superfluity of wealth, for true happiness lies in the golden mean. Her opinion is that persons who have too much of anything are in as bad a condition as those who have too little of it. Therefore, the best condition is to be neither too wealthy nor too poor, because those who have too much money indulge themselves in excess and grow old very soon while those who have just sufficient to keep themselves healthy live longer.

Passage – 18
(Act. I, Sc.II, Lines 16-19)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 20

Context : These lines occurs in Shakespeare’s famous play lines The Merchant of Venice. When Portia resents the manners of her marriage and complains of sadness. Nerissa like a philosopher says that (his sense of weariness is the malady of the idle rich who live a pampered life of enjoyment and superfluity. She adds that competency and not superfluity will ensure happiness. Portia admits it but says that the problem is that it is very difficult to put a maximum into actual practice.

Explanation : Portia says that the rational nature of man may frame rules for controlling the passion, but human beings both men and women especially in youth, are apt to be governed by passions which are deaf to the appeal of reason. The laws of reason are easily overthrown by youthful impulse, just as ordinary nets meant for catching hare are skipt over by him. The wild impulse of youth is like a hare and moral, laws are like a cripple that pursues a hare to catch him but fails to do so. Similarly, moral law falls to keep under control wild passions of youth.

Passage – 19
(Act I, Sc.III, Lines 31-35)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 21

Context : These words are spoken by Shylock in Scene III of Act I of The Merchant of Venice. Shylock and Bassanio have been talking about the loan of three thousand ducats for a period of three months for which Antonio is to stand as a surety. Shylock tells Bassanio that he could stand surety for him. Although all Antonio’s fortunes ‘are at sea’ yet Shylock considers him sufficient. But before giving that loan Shylock must see Antonio and speak to him.

Explanation : When Bassanio invites Shylock to dinner, where he could talk to Antonio, Shylock says that he would have commercial dealing with the Christians but would not mix with them socially. He would not dine with a Christian because they eat pork which is a prohibited food for the Jews. Shylock contemptuously refers to swine as the dwelling place of the devil; he is alluding to the miracle of Jesus Christ who compelled certain evil spirits to come out of two men, and allowed them to enter the bodies of a herd of swine.

Passage – 20
(Act I, Sc.III, Lines 33-42)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 22

Context : These lines are spoken by Shylock in Act I Scene III of The Merchant of Venice. While Shylock is discussing with Bassanio the loan of three thousand ducats on Antonio’s security, the merchant himself makes his appearance. On seeing him, Shylock at once bridles up within himself. He mutters, “How like a fawning publican he looks” thereby giving vent to all the pent up rage and venom of his heart.

Explanation : Antonio is a Christian and he hates the Jew. The Jew is a money-lender by profession: and Antonio brings down the rate of interest in the market by lending money without any interest, which is a loss to the business of Shylock, Shylock hates Antonio because he is a Christian and lends money free of interest and moreover for his (Antonio’s) hatred of the sacred Jewish nation. Naturally he talks in terms of having a revenge upon Antonio.

Passage – 21
(Act I, Sc.III, Lines 98-99)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 23

Context : These lines occur in Act I Scene III of The Merchant of Venice. When Antonio approaches Shylock for a loan, Shylock alludes to the insulting treatment which he has met with at the hands of Antonio. Shylock has endured patiently all the insults hurled at him by Antonio because he and the other members of his race are noted for their power of tolerance. Shylock here refers to the age long suffering and grievances of the Jews of Europe.

Passage – 22
(Act I, Sc.II, Lines 119-123)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 24

Context : These lines are spoken by Portia in The Merchant of Venice when a servant brings the information that the four suitors who had previously arrived are about to depart while a fifth The Prince of Morocco is about to arrive.

Explanation : Portia says that she is very happy to learn that the four suitors are departing. She wishes she could be as happy at the arrival of the fifth suitor. The Prince of Morocco, she says, might be as holy as a saint but his black complexion would make him look like a devil. She can agree to regard this man as a priest before whom she has to confess her sins, but she would certainly not like to become the wife of such a man.

Passage – 23
(Act I, Sc.III, Lines 21-25)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 25

Context : These words are spoken by Shylock to Bassanio in reply to Bassanio’s request for a loan. Shylock’ clever and cunning as he is exaggerates the dangers to which the ships of Antonio are exposed.

Explanation : Shylock asks Bassanio how he can be certain that, if he gives a loan to Antonio, his money will be safe. True that Antonio is a wealthy merchant but all his money is invested in ships and merchandise. There can be no certainty that Antonio’s ships will return safely to harbour. What are ships? They are just made of wooden boards. What are sailors? They are just human beings. There are not only thieves on land like land-rates; but there are also but there are also thieves on water like water rats— that is, there are pirates (sea-robbers). Antonio’s ships may be seized by sea-robbers. What then is the surety that Shylock’s money will be safe? Besides the danger from sea-robbers, there is also the danger from storms and rocks.’ Antonio’s ships may get wrecked. Under these circumstances, if Shylock lends money to Antonio, he will be taking a great risk. And yet, he says, nobody can doubt that Antonio’ is a man of wealth.

Passage – 24
(Act I, Sc.III, Lines 75-79)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 26

Context : These lines are taken from The Merchant of Venice. Shylock defends his practice of charging interest by citing the old testament in the following manner.

Explanation : When Jacob, who was the third in succession from Abraham, decided to quit his uncle Laban’s place, they came to an understanding. The agreement was that Jacob should have for his wages, as many of his uncle’s lambs as were born streaked and pied. This was a method to gain and Jacob was blessed by God. It is advisable to make profits and enrich oneself as long as one does not steal other people’s money.

Passage – 25
(Act I, Sc.III, Lines 87-91)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 27

Context : These words are spoken by Antonio to Bassanio in The Merchant of Venice. Shylock has defended his practice of charging interest on loans by citing an example from the Bible. Here is Antonio’s comment.

Explanation : Antonio says that even the devil will sometimes quote cases from the Bible to justify his devilish conduct. A wicked person, quoting the authority of the Bible in support of his actions, is like a villain who wears a smile in order to pretend friendship. Such a man is like a nice-looking apple which is rotten inside. How strange that all false things have an attractive appearance!

Passage – 26
(Act I, Sc.III, Lines 108-118)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 28

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 29

Context : These lines are taken from The Merchant of Venice. The speaker is Shylock who is addressing Antonio when the latter has requested a loan of three thousand ducats from the Jew.

Explanation : Shylock reminds Antonio of the insults and indignities that the latter has been heaping upon the Jew. Antonio has often called the Jew a dog and has often spat on his clothes. Now Antonio wants a loan from the same Jew. How should the Jew behave now? asks Shylock. How can a dog or cur lend money? Why should Antonio now expect money from Shylock whom he holds in contempt? Should Shylock bend low to Antonio and offer him the loan respectfully? Should he give him three thousand ducats for having been called a misbeliever, a cut-throat dog, etc.? Should he give him the money for having been insulted, degraded, and spat upon?

Passage – 27
(Act I, Sc.III, Lines 5-7)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 30

Context : These lines occur in Act II, Scene VI of The Merchant of Venice. Gratiano and Salarino, masqued, are waiting and waiting for Lorenzo at a pent house projecting from Shylock’s place of residence.

Explanation : These lines contain Salarino’s reply to the remark of Gratiano who is surprised that Lorenzo, a lover, is not meeting them at the appointed time. According to him, lovers during their courtship and the period prior to their marriage are over-punctual in keeping their engagements relating to the love-affair: Salarino takes the cue from Gratiano and insinuates that Lorenzo is not so faithful to Jessica now as Jessica is his. Lovers are ten times more ready to plight truth in the case of new love than they are to keep old love inviolate. They are quick in making new love but slow when love has been made. Venus, “Love-drawn”, the unscrupulous goddess of love, is more ready to be present at an engagement than at a marriage.

Passage – 28
(Act I, Sc.III, Lines 149-156)

Merchant of Venice Workbook Answers Act 1 - Passages with Reference to the Context 31

Context : These lines, taken from The Merchant of Venice, are spoken by Shylock when Bassanio tries to prevent Antonio from signing the bond.

Explanation : Shylock appeals to Abraham and expresses his surprise at the suspicious nature of Christians. He says that because Christians are merciless in their own dealings with others, they regard others also as equally merciless. He asks Bassanio what he can gain by cutting a pound of Antonio’s flesh in case Antonio fails to repay the loan before the fixed date. He adds that a pound of a goat’s flesh or a cow’s flesh is more valuable than a pound of human flesh.

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Merchant of Venice Workbook Answers Act 5, Scene 1

Merchant of Venice Workbook Answers Act 5, Scene 1 – ICSE Class 10 & 9 English

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Passage – 1 (Act V, Sc.I, Lines 49-65)

Merchant of Venice Workbook Answers Act V, Scene I 1

Merchant of Venice Workbook Answers Act V, Scene I 2

Paraphrase :

LORENZO : Sweet soul, let’s go in, and wait there for them to come. And yet, it doesn’t matter; why should we go in’? My friend Stephano, let them know, please, Within the house, that your mistress is at hand, And bring your music outside. How sweet the moonlight sleeps on this bank! We will sit here and let the sounds of music Creep into our ears; soft stillness and the night Compliment the touches of sweet harmony. Sit, Jessica: look how the sky Is covered thick with layers of bright gold; Even the smallest star that you see Sings like an angel as it moves, Still singing like a choir to the young-eyed cherubs; Such harmony is in immortal souls;. But, while this muddy earth of decay Buries us, we can’t hear it

Word Meaning With Annotation

Expect : await, signify : make known the fact, become : suit. touches of sweet harmony : notes of sweet music, patines : plates, orb : star, but in his motion like an angel sings : that does not produce sweet music, young-eyed : bright-eyed, cherubins : angels, muddy vesture of decay : body of perishable flesh, grossly : so as to make our souls gross or dull.

Read the above passage and answer the following questions

Question 1.
What does Lorenzo suggest to his sweet heart?
Answer:
Lorenzo suggests to his beloved that they should go inside and wait for the arrival of Bassanio and Gratiano. Then he drops the suggestion.

Question 2.
What does Lorenzo tell Stephano to signify?
Answer:
Lorenzo tells him to go and tell the servants that their mistress was about to come and they should bring their musical instruments in the open air.

Question 3.
Describe the moon-light scene and the playing of music.
Answer:
The moon-light is falling gently on the bank. Musicians are playing on the musical instruments. A soft silence and the time of night befit the playing of musical instruments.

Question 4.
Describe briefly the beauty of the sky.
Answer:
The sky is studded with the bright, golden stars. Even the smallest planet produces an angelic music.

Question 5.
Why cannot human beings hear the music of spheres?
Answer:
Human beings cannot hear the music of the Spheres because their bodies are made of insensitive clay.

Passage – 2 (Act V, Sc.I, Lines 70-87)

Merchant of Venice Workbook Answers Act V, Scene I 3

Merchant of Venice Workbook Answers Act V, Scene I 4

Paraphrase :

LORENZO : The reason is your spirits are observant; Because only look at a wild and wanton herd, Or race of youthful and unhandled colts, Pushing crazy limits, bellowing and neighing loudly Which is the hot condition of their blood; If they only hear may be a trumpet sound, Or any air of music touches their ears, You will see them make a mutual stop, Their savage eyes turned to a calm gaze By the sweet power of music: so the poet Pretended that Orpheus drew trees, stones, and floods; Only music for the time changes his nature From not so wooden, hard, and full of rage. The man that has no music in him, Or is not moved by harmony of sweet sounds,’ Is fit for treasons, plots, and stealing; The movement of his spirit is as dull as night, And his affections are as dark as the place between Earth and hell. Don’t trust such a man. Listen to the music.

Word Meaning With Annotation

Attentive : rapt in attention, wanton : mischievous, race : breed, unhandled colt: young horses not broken in. fetching mad bounds : bounding madly, hot condition of their blood : their own natural wild condition, perchance : by chance, make a mutual stand : come to a standstill together, modest : mild, feign : imagine, nought : nothing, stockish : unfeeling, concord of sweet sounds : sweet melody, stratagems : plots, spoils : thefts, motions of his spirits : his thoughts and feelings

Read the above passage and answer the following questions

Question 1.
What effect does music produce on wild horses?
Answer:
Wild horses become lame on hearing music.

Question 2.
What impact did Orpheus create by the power of his music?
Answer:
Orpheus had the power to draw trees, stones and floods to him with his music.

Question 3.
How does Lorenzo characterise a man who does not like music?
Answer:
Such man is fit for treacherous actions, plots and acts of plunder. The impulses of the mind of such a person are dull as the time of night. His feelings are as dull as the regions of hell.

Question 4.
Is a man also does not love music reliable?
Answer:
He is not reliable.

Question 5.
What do you understand by treasons, stratagems and spoils?
Answer:
Treasons mean treacherous deeds, Stratogems are Conspiracies and spoils are looting.

Passage – 3 (Act V, Sc.I, Lines 147-158)

Merchant of Venice Workbook Answers Act V, Scene I 5

Paraphrase :

GRATIANO : About a hoop of gold, a worthless ring That she gave me, whose inscription was, For all the world, like knife maker’s poem on a knife, “Love me and leave me not.”

NERISSA : Why do you talk of the inscription or the value? You swore to me, when I gave it you, That you would wear it until the hour of your death, And that it would go with you to your grave; You should have respected and have kept it Though not for me, but for your intense oaths. Gave it a judge’s clerk! No, God’s my judge, The clerk will never grow a beard that took it.

Word Meaning With Annotation

Hoop : circle, ring, posy : a short verse of poetry, cutler’s poetry : verses or mottos engraved on knife- blades. respective : scrupulous, careful.

Read the above passage and answer the following questions

Question 1.
Which quarrel is referred to in the extract? What does Shakespeare want to show by introducing a quarrel among the lovers?
Answer:
The quarrel referred to in the extract is between Gratiano and his wife Nerissa. This is about the ring given by Nerissa to her husband which he does not have in his possession now.
Shakespeare introduces a quarrel among the lovers to produce the comic effect in the serious atmosphere’ of the play. ‘The Merchant of Venice’ assumes the seriousness of a tragedy, particularly in the Trial Scene when Antonio’s life is threatened by the forfeiture of the bond. The playwright introduces the ring episode to relieve the tension. Thus, the play concludes happily. „ The quarrel itself is a practical joke played by Portia and Nerissa on their husbands.

Question 2.
Give the meaning of :

(a) a hoop of gold
(b) cutler’s poetry.

Answer:

(a) A ‘hoop’ is a circular band of metal or anything, here made of gold. It is contemptuously used for the ring. Gratiano wants to minimise the importance of the ring so that there may not be much fuss about it.
(b) It was customary to have inscriptions on spoons and table knives. They were perhaps not so poetical in tone. Gratiano says humorously that the motto inscribed on the ring was like the one on a piece of cutlery. It was the least poetic.

Question 3.
Who had given the ring to Gratiano? What promise was made by him at that time about the ring?
Answer:
Nerissa had given the ring to Gratiano soon after their marriage. At that time. Gratiano had made the promise to his wife that this ring was a token of her love, and he would never lose it.

Question 4.
To whom did Gratiano give the ring? Why? What is the practical joke about the ring episode?
Answer:
Gratiano gave the ring to the lawyer’s clerk. The practical joke about the rings is that he actually gave it to none other than his own wife. Nerissa who was disguised as the lawyer’s clerk. Nerissa had herself demanded it in order to tease his husband on returning home. Gratiano was unable to recognise the lawyer’s clerk in the new out fit.

Question 5.
What does Portia say about the quarrel referred to in the extract?
Answer:
On hearing the sharp exchange of words between Nerissa and Gratiano; Portia comments that there is a quarrel so soon after their marriage. She does not expect such a development.

Question 6.
Why did Portia join in accusing Gratiano of doing wrong ? what did she say about the ring she had given to Bassanio, before she had finished speaking against Gratiano?
Answer:
Portia soon joins Nerissa in accusing Gratiano for so non-seriously parting with his wife’s first present to him. She does so to caution Bassanio that a similar attack is going to be launched on him for a similar lapse. She concludes her speech by saying that if Bassanio ever behaved in this manner, she would go mad in grief.
There is a dramatic irony in this speech of Portia’s. She naturally takes the side of the woman in this loving battle between sexes. Thus she cleverly introduces the parallel quarrel about her own ring, reminding them that there was a ringing similarly given by her to Bassanio. She is deliberately making the situation uncomfortable for Bassanio, and increasing the effect of irony for the delight of the audience.

Passage – 4 (Act V, Sc.I, Lines 200-212)

Merchant of Venice Workbook Answers Act V, Scene I 6

Merchant of Venice Workbook Answers Act V, Scene I 7

Paraphrase :

PORTIA : If you had known the virtue of the ring, Or half the worthiness of her who gave the ring, Or your own honor to hold the ring, You wouldn’t have parted then with the ring. What man is there so very unreasonable, That, if you had’ bothered to defend it With any terms of earnestness, lacked the modesty To encourage the thing be held as a ceremony? Nerissa teaches me what to believe : I’ll die for it, but some woman took the ring.

BASSANIO : No, by my honor, madam, by my soul, No woman took it. but a civil doctor, Which refused three thousand ducats of me, And begged for the ring, which I denied him, And let him go away displeased.

Word Meaning With Annotation

Worthiness : ment. your own honour : your duty as an honourable man. contain : preserve, wanted : lacked, ceremony : a sacred pledge, civil doctor : doctor of civil law, lawyer.

Read the above passage and answer the following questions

Question 1.
What defence has Bassanio given in the lines preceding the passage, for losing the ring?
Answer:
In the lines preceding this passage, Bassanio makes an earnest plea while explaining the circumstances in which he was compelled to part with the ring. He is sure that Portia will excuse him if she comes to know to whom the ring was given away. She will understand if she learns for whom it was done, and last of all, the reluctance with which it was finally given to the lawyer.

Question 2.
How does Portia reject his argument to magnify his offence?
Answer:
Portia seems to reject her husband’s argument. She is equally vehement in magnifying his offence of parting with the marriage ring soon after his marriage.
Portia rejects Bassanio’s plea as incredible. She thinks that if he had zealously defended the ring, no man would have been so unreasonable and unmannerly to ask for the ring which was a ceremonious gift.

Question 3.
What effect the repetition of the word ‘ring’ achieves?
Answer:
Portia succeeds in seriously embarrassing her husband. She achieves the effects of strong emphasis by repeating the word ‘ring’ at the end of each line four times.

Question 4.
Is Portia right in accusing her husband that he gave the ring to some other woman?
Answer:
Portia is right in accusing her husband for giving away the ring to ‘some woman’. But, as the audience know, the woman whom he gave the ring was no other than Portia herself, without knowing it.

Question 5.
How far is Bassanio truthful in saying that he did not give the ring to any woman?
Answer:
Bassanio is truthful when he swears that he did not give the ring to a woman. He gave it to the lawyer, who appeared to be a youngman. He gave it unwillingly under pressing circumstances. This too is true. And yet he gave it unknowingly to the ‘young man’ who was actually a young woman’, i.e. Portia herself.

Question 6.
What is the source of amusement in this dialogue?
Answer:
This dialogue should be very amusing for the audience. The pleasure is derived from the fact that what Bassanio and Gratiano do not know, is well known to the audience. It is a delightful situation to watch young husbands being be fooled and teased by their newly-wedded wives.

Passage – 5 (Act V, Sc.I, Lines 223-246)

Merchant of Venice Workbook Answers Act V, Scene I 8

Paraphrase :

PORTIA : Don’t let that doctor ever come near my house; Since he has gotten the jewel that I loved, And which you swore to keep for me, I’ll become as free as you; I won’t deny him anything I have, No, not my body, nor my husband’s bed. I shall know him, I am well sure of it. Don’t sleep a night from home; watch me With one hundred eyes; if you don’t, if I am left alone, Now, by my virginity which is still my own, I’ll have that doctor for my lover.

Word Meaning With Annotation

Jewel : costly ring, liberal : generous, know : recognise, lie : sleep, from : away. Argos : a hundred eyed monster, yet mine own : still intact, my bed fellow. : sleep with me, rut with me.

Read the above passage and answer the following questions

Question 1.
Who speaks these words? To whom are these addressed? Where are these persons?
Answer:
Portia is the speaker of these words, and she is in conversation with Bassanio. They are in Belmont at Portia’s residence. Both have returned from Venice after attending Antonio’s trial.

Question 2.
Who is the ‘doctor’ referred to in the lines? Has the other person said something earlier?
Answer:
The doctor referred to is the Doctor of Law, whom Bassanio referred to as the civil doctor. He is the person who interpreted the Venetian law in the court of the Duke in the dispute between Shylock and Antonio.

Question 3.
Which Jewel has the doctor taken away? What is the speaker’s complaint?
Answer:
Portia complains that the doctor has taken away the ring which was given by her to her husband as a token of her love. This she mentions as a Jewel’. By this she means a precious thing.

Question 4.
Why does the speaker say the following? “Let not the Doctor e’er come near my house.”
Answer:
Portia has heard Bassanio’s version of how he.could not resist the doctor’s earnest demand for the ring. She now says that if the doctor was so very persuasive, then Bassanio must see to it that he does not come that way. If he could while away the ring from his finger, it was just possible the same doctor may succeed in prevailing upon her to part with her most valuable possession, which was her honour and chastity.
Portia here pretends to have great grievance against the doctor. She goes to the extent of saying that she would become as free in her associations as was Bassanio. Then she would not refuse the doctor anything, as a retaliation for Bassanio’s licence.

Question 5.
Does the speaker give any warning to the, other person?
Answer:
Portia warns Bassanio not to stay away from home even for a night. The doctor might come in his absence and form intimate relations with Portia. Bassanio must guard against this possibility.

Question 6.
“Watch me like Argos,” Explain the reference about Argos.
Answer:
Portia wants Bassanio to watch her carefully, i.e. with a hundred eyes, as Argos watched Argos in classical mythology was a person with hundred eyes. Only one of his eyes slept at a time. For this reason, Juno directed him to keep watch over another goddess with whom Jupiter had fallen in love.

Passage – 6 (Act V, Sc.I, Lines 267-279)

Merchant of Venice Workbook Answers Act V, Scene I 9

Paraphrase :

PORTIA : Don’t speak so indecently. You are all amazed: Here is a letter; read it at your leisure; It comes from Padua, from Bellario: There you shall find that Portia was the doctor, Nerissa there, her clerk: Lorenzo here Shall witness that I set out as soon as you left, And even just now returned; I have not yet Entered my house. Antonio, you are welcome; And I have better news in store for you Than you expect: unseal this letter right away; There you shall find three of your merchant ships Have richly come into harbor suddenly.You will not know by what strange accident I happened to get this letter.

Word Meaning With Annotation

Grossly : in a vuglar way. amaz’d : astonished, your leisure : in your free time, there : in that letter, witness : support my statement, set forth : started, but e’en now : a moment ago, just now. news in store : waiting for me. unseal : open. Argosies : merchant ships, richly : laden with rich Cargo, suddenly : by chance, chanced on : happened to get.

Read the above passage and answer the following questions

Question 1.
“Speak not so grossly, you are all amazed,” Portia advises not to speak ‘grossly’. What have they been talking? Why are they amazed? Who are the other people present there.
Answer:
They had been talking something indecent. Portia said that she would sleep with the young lawyer if he came there. Nerissa said that she would have relations with the lawyer’s clerk. All this was said to tease Bassanio and Gratiano. At last, Portia decides to stop talking in that manner.
All are amazed to see that Portia has got the ring which Bassanio presented to the doctor of the laws. Similarly. Nerissa has the ring which Gratiano gave to the lawyer’s clerk. This amazement changes into embarrassment to hear from the two woman that they slept with other men to secure these rings.

Question 2.
Which letter is being shown by Portia? What is the need of showing this letter?
Answer:
Portia is showing them a letter written by Dr. Bellario of Padua, authorising Portia to act as his representative while arguing the case in the court of the Duke in Venice.
She needs to show this letter to those present there to prove to them that the doctor who defended Antonio in the court was no other person that Portia herself. Bassanio, Gratiano, Antonio and others are listening to her account in sheer amazement.

Question 3.
What are the new facts revealed by Portia? Where has she come from?
Answer:
Portia springs a surprise on everybody by telling everybody that she and Nerissa have just returned from Venice. They had left the house soon after Bassanio and Gratiano left for Venice. – This fact can be confirmed from Lorenzo, who was left in charge of the house in her absence.
Tire new facts revealed by Portia are that she herself acted as the doctor of laws in the court of the Duke. Nerissa stood beside her as her clerk. After concluding the case in the court and extracting the rings from Bassanio and Gratiano, these two clever women rushed back to Belmont to overtake their husbands.

Question 4.
What good news does Portia have for Antonio?
Answer:
Portia has a good news for Antonio. She has a letter with her which gives the information that three of Antonio’s merchant ships laden with merchandise have reached home safely. Antonio had earlier been told that all his ships have been destroyed in the sea. This means that Antonio is once again a rich merchant of Venice.

Question 5.
Does she have any good news for Lorenzo and Jessica? Is Portia anyway responsible for bringing this good news for them?
Answer:
portia does have a very good news for Lorenzo and Jessica. She has with her a deed signed by Shylock beqeathing his share of the property for his daughter and son-in-law. He would have disinherited Jessica who had eloped with a Christian.
Portia has played a vital role in not only saving Antonio’s life, but, also in interpreting law in a manner that pushed Shylock into a tight comer. Half of the Jew’s property went to Antonio and the remaining was left to be used by Shylock in his life time. Thereafter, it goes to Jessica and Lorenzo. In this, Antonio has also played a gracious role. He is to hold half the Jew’s property 1 only as a trust, to pass it on to the Jew’s daughter and son-in-law.

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